Jeffrey Hartmann

A work in constant progress (and occasional regress).

Youichirou Aoki

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Alias:
Youichiro Aoki
Yuuichiro Aoki
Yuuichirou Aoki
Yōichirō Aoki
Yūichirō Aoki
青木裕一朗
青木youイチロー

Birthplace:
Japan

Biography from TheMovieDB

Youichirou Aoki (青木裕一朗, Aoki Yōichirō, best known as 青木 YOUイチロー) is a Japanese director and storyboard artist.

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Additional information:

The Search Form

Film Production

Second Unit First Assistant Director:
2022 The Quintessential Quintuplets Movie

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TV Production

Assistant Director:
2020 Smile Down the Runway

Co-Director:
2020 Jujutsu Kaisen
2020 Smile Down the Runway

Director:
2014  Bee and PuppyCat
2017  Boruto: Naruto Next Generations
2018  Citrus
2018  Happy Sugar Life
2018  RErideD – Derrida, who leaps through time –
2019  Azur Lane
2019  The Quintessential Quintuplets
2020  Jujutsu Kaisen
2020  Smile Down the Runway
2022  Bee and PuppyCat: Lazy in Space
2022  Black Rock Shooter: Dawn Fall
2022  Prima Doll
2023  The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You

Key Animation:
2014  Bee and PuppyCat
2017  Boruto: Naruto Next Generations
2018  Citrus
2018  Happy Sugar Life
2018  RErideD – Derrida, who leaps through time –
2019  Azur Lane
2019  The Quintessential Quintuplets
2020  Jujutsu Kaisen
2020  Smile Down the Runway
2022  Bee and PuppyCat: Lazy in Space
2022  Black Rock Shooter: Dawn Fall
2022  Prima Doll
2023  The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You

Storyboard Artist:
2014  Bee and PuppyCat
2017  Boruto: Naruto Next Generations
2018  Citrus
2018  Happy Sugar Life
2018  RErideD – Derrida, who leaps through time –
2019  Azur Lane
2019  The Quintessential Quintuplets
2020  Jujutsu Kaisen
2020  Smile Down the Runway
2021  Seirei Gensouki: Spirit Chronicles
2022  Bee and PuppyCat: Lazy in Space
2022  Black Rock Shooter: Dawn Fall
2022  Prima Doll
2023  The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.