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Barry Jossen

Biography from TheMovieDB

Barry Jossen is President and Head of A+E Studios. In his role, Jossen oversees all creative and business operations of A+E Studios, the in-house scripted production arm of the acclaimed global media company A+E Networks, including creative affairs, production, business operations, and strategy on all programming developed.

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Additional information:

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Film Performances

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Film Production

Associate Producer:
1982  Coming Out of the Ice
1984  The Glitter Dome
1985  Right to Kill?
1986  Act of Vengeance

Executive In Charge Of Production:
1982  Coming Out of the Ice
1984  The Glitter Dome
1985  Right to Kill?
1985  Surviving
1986  Act of Vengeance

Executive Producer:
1982  Coming Out of the Ice
1984  The Glitter Dome
1985  Right to Kill?
1985  Surviving
1986  Act of Vengeance
1993  Partners 'n Love

Producer:
1982  Coming Out of the Ice
1984  The Glitter Dome
1985  Right to Kill?
1985  Surviving
1986  Act of Vengeance
1993  Partners 'n Love
1995  Miami Rhapsody
1996  Homeward Bound II: Lost in San Francisco

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TV Production

Associate Producer:
1984  Ellis Island

Co-Executive Producer:
1984  Ellis Island
1998  Sex and the City

Executive Producer:
1984  Ellis Island
1998  Sex and the City
2015  Point of Honor
2016  Roots
2019  Project Blue Book
2023  The Malevolent Bride
2024  Parish

Producer:
1984  Ellis Island
1994  My So-Called Life
1998  Sex and the City
2015  Point of Honor
2016  Roots
2019  Project Blue Book
2023  The Malevolent Bride
2024  Parish

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.