A work in constant progress (and occasional regress).
Birthplace:
Talcahuano, Chile
Born:
October 17, 1944
Born in Talcahuano in 1944. He studied Veterinary Medicine at the Austral University. He arrived in Santiago in the 60's where he studied Theater at the Pontificia Universidad Católica de Chile, and then Film at the Escuela de Artes de la Comunicación of the same University. In 1969, he interrupted his studies to work with Guillermo Cahn in the production company Tercer Mundo. There he made his first audiovisual works. He is scriptwriter in "Casa o Mierda" (1969), directed by Guillermo Cahn and Samuel Carvajal in photography. His first documentary as director is "Nütuayin Mapu" (1969). In 1970 he is hired by the Experimental Film Department. His first work was the production of the short film "No nos trancarán el paso" (1971), by Guillermo Cahn. Later he directed the first feature-length documentary produced entirely by the Film Department of the University of Chile, "Descomedidos y Chascones", which was not released on the planned date due to the military coup. During the dictatorship, Carlos Flores decided to stay in Chile and dedicated himself to advertising. In 1976, together with Guillermo Cahn, they became partners in the production company Foco Film, dedicated to advertising and documentaries. "Pepe Donoso" was his first documentary after the military coup, a visual document about the life of José Donoso, produced by Guillermo Cahn. For this film, he won the 1977 CINE UC Award and the 1977 Chilean Art Critics Circle Award. In 1979 he participated in the collective and clandestine production of the documentary short film "Recado de Chile", co-produced by Guillermo Cahn and the ICAIC of Cuba, about the activities that the Agrupación de Detenidos Desaparecidos carried out on Chilean soil. The work was never shown in Chile and was premiered in 1979 at the Lille International Short Film and Documentary Festival (it participated as the work of an "Anonymous Collective"). It was also presented at the First International Festival of New Cinema of Havana 1979; in both instances it won awards. At the end of the decade, Flores began the making of "The Chilean Charles Bronson" (1982). The film, produced by Guillermo Cahn, was recently screened at the 12th Buenos Aires Independent Film Festival BAFICI. His academic training includes Literature at the Department of Humanistic Studies at the University of Chile, a Diploma in Cultural Criticism at the Arcis University and a degree in Theory and History of Art at the University of Chile. He is a graduate in Theory and History of Art at the same university, whose thesis work was transformed into the book "Eccentrics and Cunning" (2007). In addition to his work at the Chilean Film School, he was Director of the Bachelor's Degree in Documentary Film at the Academy of Christian Humanism. In 2007 he made his last work to date, a co-direction with Miguel Angel Vidaurre called "Corazón Secreto", produced under the auspices of the Chilean Film School. In 2010 he left the Film School of Chile to join the Film and Television Career at the University of Chile, as Career Director.
Director:
1969 Nütuayin Mapu
1973 Descomedidos y chascones
1978 Pepe Donoso
1981 El Estado soy Yo
1981 The Chilean Charles Bronson (Or Exactly Identical)
1985 Macías, ensayo general sobre el poder y la gloria
2004 Cinco hipótesis acerca de las turbulencias que pueden ocurrir una noche en una pieza de hotel
2007 Secret Heart
2011 Street Theatre, My Captain
2017 Nine Hypotheses about Charlie Flowers
Editor:
1969 Nütuayin Mapu
1973 Descomedidos y chascones
1978 Pepe Donoso
1981 El Estado soy Yo
1981 The Chilean Charles Bronson (Or Exactly Identical)
1985 Macías, ensayo general sobre el poder y la gloria
2004 Cinco hipótesis acerca de las turbulencias que pueden ocurrir una noche en una pieza de hotel
2007 Secret Heart
2011 Street Theatre, My Captain
2017 Nine Hypotheses about Charlie Flowers
Producer:
1969 Nütuayin Mapu
1972 No nos Trancarán el Paso
1973 Descomedidos y chascones
1978 Pepe Donoso
1981 El Estado soy Yo
1981 The Chilean Charles Bronson (Or Exactly Identical)
1985 Macías, ensayo general sobre el poder y la gloria
2004 Cinco hipótesis acerca de las turbulencias que pueden ocurrir una noche en una pieza de hotel
2007 Secret Heart
2011 Street Theatre, My Captain
2017 Nine Hypotheses about Charlie Flowers
Screenplay:
1969 Nütuayin Mapu
1972 No nos Trancarán el Paso
1973 Descomedidos y chascones
1978 Pepe Donoso
1981 El Estado soy Yo
1981 The Chilean Charles Bronson (Or Exactly Identical)
1985 Macías, ensayo general sobre el poder y la gloria
2004 Cinco hipótesis acerca de las turbulencias que pueden ocurrir una noche en una pieza de hotel
2007 Secret Heart
2011 Street Theatre, My Captain
2017 Nine Hypotheses about Charlie Flowers
Writer:
1969 Casa o mierda
1969 Nütuayin Mapu
1972 No nos Trancarán el Paso
1973 Descomedidos y chascones
1978 Pepe Donoso
1981 El Estado soy Yo
1981 The Chilean Charles Bronson (Or Exactly Identical)
1985 Macías, ensayo general sobre el poder y la gloria
2004 Cinco hipótesis acerca de las turbulencias que pueden ocurrir una noche en una pieza de hotel
2007 Secret Heart
2011 Street Theatre, My Captain
2017 Nine Hypotheses about Charlie Flowers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.