A work in constant progress (and occasional regress).
Art Direction:
1998 Coup at Daybreak
2001 Dama de Porto Pim
2002 First and Last Love
2003 More Than a Thousand Cameras Are Working for Your Safety
2004 The Bridge of San Luis Rey
2014 Exodus: Gods and Kings
2016 The Promise
2017 Cold Skin
2019 Under the Same Roof
2020 Don't Listen
2022 Piggy
2023 Truce(S)
2024 The Girls at the Station
Production Design:
1998 Coup at Daybreak
2001 3 Nights
2001 Dama de Porto Pim
2002 First and Last Love
2003 More Than a Thousand Cameras Are Working for Your Safety
2004 The Bridge of San Luis Rey
2010 Gigola
2010 Plans for Tomorrow
2014 Exodus: Gods and Kings
2016 The Promise
2016 We Are Pregnant
2017 Cold Skin
2017 Lord, Give Me Patience
2019 Under the Same Roof
2020 Don't Listen
2021 Below Zero
2022 Piggy
2023 Truce(S)
2024 American Star
2024 The Girls at the Station
Set Decoration:
1998 Coup at Daybreak
2001 3 Nights
2001 Dama de Porto Pim
2002 First and Last Love
2003 More Than a Thousand Cameras Are Working for Your Safety
2004 The Bridge of San Luis Rey
2007 Sunday Light
2010 Gigola
2010 Plans for Tomorrow
2014 Exodus: Gods and Kings
2016 The Promise
2016 We Are Pregnant
2017 Cold Skin
2017 Lord, Give Me Patience
2019 Under the Same Roof
2020 Don't Listen
2021 Below Zero
2022 Piggy
2023 Truce(S)
2024 American Star
2024 The Girls at the Station
Art Direction:
2018 Tom Clancy's Jack Ryan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.