A work in constant progress (and occasional regress).
Lee McNair began his career in animation in 2002 after graduating from the Computer Animation program at Sheridan College near his hometown of Toronto, Ontario. Starting in television, he soon transitioned into Feature Animation and eventually into Visual Effects, continually balancing his passion for both specialities. Before joining Industrial Light & Magic (ILM), McNair was Lead Animator at Digital Domain, contributing to several high-profile feature films. In 2013, he joined ILM as an animator. He quickly rose through the ranks, thanks to his work on acclaimed projects such as The Revenant—an Academy Award-nominated film—and numerous entries in the Marvel Cinematic Universe, including Avengers: Age of Ultron, Captain America: Civil War, and Thor: Ragnarök. Mcnair was promoted to animation supervisor after being recognised for his expertise and leadership in animation. He continues to push creative and technical boundaries, most recently on Jurassic World: Fallen Kingdom.
3D Artist:
2010 The Book of Eli
Animation:
2010 The Book of Eli
2011 The Three Musketeers
Animation Supervisor:
2010 The Book of Eli
2011 The Three Musketeers
2019 Star Wars: The Rise of Skywalker
2022 ABBA Voyage
2025 Thunderbolts*
Lead Animator:
2010 The Book of Eli
2011 The Three Musketeers
2017 Valerian and the City of a Thousand Planets
2019 Star Wars: The Rise of Skywalker
2022 ABBA Voyage
2024 Transformers One
2025 Thunderbolts*
Senior Animator:
2009 The Stoning of Soraya M.
2010 The Book of Eli
2011 The Three Musketeers
2017 Valerian and the City of a Thousand Planets
2019 Star Wars: The Rise of Skywalker
2022 ABBA Voyage
2024 Transformers One
2025 Thunderbolts*
Animation Supervisor:
2023 Percy Jackson and the Olympians
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.