A work in constant progress (and occasional regress).
Alias:
Alba Sotorra Clua
Birthplace:
Reus, Tarragona, Cataluña, Spain
Born:
May 22, 1980
Alba Sotorra Clúa (Reus, Tarragona, May 22, 1980) is a film director, independent producer and Spanish video artist. She studied for a degree in film production at the Complutense University of Madrid, and a Master's degree in Mediterranean Cultural Studies at the Rovira i Virgili University in Tarragona. She continues her professional video postgraduate training and has participated in several documentary workshops, including SOURCES2 through MEDIA (2008), Berlinale Talent Campus (2011), IDFA Academy (2012), Dok Leipzig NetLab (2013), Medimed Cross-media Training (2014) and Dok.Incubator (2014). As an independent producer, she develops her work with experience in filming abroad. Her works present human stories from a personal point of view and intend to open spaces for reflection. She has worked around the world, in Afghanistan, Bosnia, Cuba, the United States, Guatemala, England, Iran, Pakistan, Puerto Rico, Turkey, Qatar, and Syria. She has organized the «Espai Líquid», a video, music and performance festival in Tarragona and actively participates in the Ixmucane NGO in Guatemala that supports Mayan girls so they can study. In 2015-2016 she worked on a transmedia project on climate engineering and also on a documentary about subversive maternities.
Co-Producer:
2022 Kobane
Director:
2008 Unveiled Views
2012 Ferida arrel: Maria-Mercè Marçal
2015 Game Over
2018 Commander Arian
2021 The Return: Life After ISIS
2022 Kobane
2023 Francesca & Love
2024 Break a Leg
???? Kobani Courtyard
Director of Photography:
2008 Unveiled Views
2012 Ferida arrel: Maria-Mercè Marçal
2015 Game Over
2018 Commander Arian
2021 The Return: Life After ISIS
2022 Kobane
2023 Francesca & Love
2024 Break a Leg
???? Kobani Courtyard
Executive Producer:
2008 Unveiled Views
2012 Ferida arrel: Maria-Mercè Marçal
2015 Game Over
2018 Commander Arian
2019 The End Will Be Spectacular
2021 The Return: Life After ISIS
2021 The Things That Keep Us Apart
2022 Kobane
2023 Francesca & Love
2024 Break a Leg
2024 Rock Bottom
???? Kobani Courtyard
Producer:
2008 Unveiled Views
2012 Ferida arrel: Maria-Mercè Marçal
2015 Game Over
2018 Commander Arian
2019 The End Will Be Spectacular
2021 The Return: Life After ISIS
2021 The Things That Keep Us Apart
2022 Kobane
2023 Francesca & Love
2023 Sica
2023 Upon Entry
2024 Break a Leg
2024 Rock Bottom
2024 Sima's Song
???? Kobani Courtyard
Script:
2008 Unveiled Views
2012 Ferida arrel: Maria-Mercè Marçal
2015 Game Over
2018 Commander Arian
2019 The End Will Be Spectacular
2021 The Return: Life After ISIS
2021 The Things That Keep Us Apart
2022 Kobane
2023 Francesca & Love
2023 Sica
2023 Upon Entry
2024 Break a Leg
2024 Rock Bottom
2024 Sima's Song
???? Kobani Courtyard
Writer:
2008 Unveiled Views
2012 Ferida arrel: Maria-Mercè Marçal
2015 Game Over
2018 Commander Arian
2019 The End Will Be Spectacular
2021 The Return: Life After ISIS
2021 The Things That Keep Us Apart
2022 Kobane
2023 Francesca & Love
2023 Sica
2023 Upon Entry
2024 Break a Leg
2024 Rock Bottom
2024 Sima's Song
???? Kobani Courtyard
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.