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José Pedro Charlo

Alias:
José Pedro Charlo Filipovich

Biography from TheMovieDB

José Pedro Charlo Filipovich is a director, producer and teacher. He directed several documentary feature films, with his main topic being Uruguayan left-wing figures. His documentaries have been shown in festivals and television stations in America and Europe.

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Additional information:

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Film Performances

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Film Production

Director:
2001  Héctor the Weaver
2004  At Five on the Dot
2008  The Circle
2012  The Calendar
2016  Los de siempre
2017  Trazos familiares
2019  Conversations with Turiansky
2023  Gurisitos

Executive Producer:
2001  Héctor the Weaver
2004  At Five on the Dot
2006  Bichuchi, the Life of Alfredo Evangelista
2008  The Circle
2012  The Calendar
2016  Los de siempre
2017  Trazos familiares
2019  Conversations with Turiansky
2023  Gurisitos

Producer:
2001  Héctor the Weaver
2002  The Wait
2004  Alma Mater
2004  At Five on the Dot
2006  Bichuchi, the Life of Alfredo Evangelista
2008  The Circle
2012  The Calendar
2016  Los de siempre
2017  Trazos familiares
2019  Conversations with Turiansky
2023  Gurisitos

Screenplay:
2001  Héctor the Weaver
2002  The Wait
2004  Alma Mater
2004  At Five on the Dot
2006  Bichuchi, the Life of Alfredo Evangelista
2008  The Circle
2012  The Calendar
2016  Los de siempre
2017  Trazos familiares
2019  Conversations with Turiansky
2023  Gurisitos

Writer:
2001  Héctor the Weaver
2002  The Wait
2004  Alma Mater
2004  At Five on the Dot
2006  Bichuchi, the Life of Alfredo Evangelista
2008  The Circle
2012  The Calendar
2016  Los de siempre
2017  Trazos familiares
2019  Conversations with Turiansky
2023  Gurisitos

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.