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Gianni Aldi

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Film Production

"B" Camera Operator:
2010  Letters to Juliet

Additional Photography:
2010  Letters to Juliet
2016  At War for Love

Camera Operator:
2006  Giovanni Falcone - L'uomo che sfidò Cosa Nostra
2007  7 and 8
2009  Pinocchio
2010  Letters to Juliet
2011  Anche se è amore non si vede
2014  Let's Go to the Country
2016  At War for Love
2017  It’s the Law
2019  Golden Men
2019  Once Upon a Time in Bethlehem
2021  Help! My In-Laws Are Vampires!
2023  Still Time

Director of Photography:
2006  Giovanni Falcone - L'uomo che sfidò Cosa Nostra
2007  7 and 8
2009  Pinocchio
2010  Letters to Juliet
2011  Anche se è amore non si vede
2014  L'assalto
2014  Let's Go to the Country
2016  At War for Love
2017  It’s the Law
2019  Golden Men
2019  Once Upon a Time in Bethlehem
2021  Help! My In-Laws Are Vampires!
2023  Still Time

Second Unit Director of Photography:
2004  Saint John Bosco Mission to Love
2006  Giovanni Falcone - L'uomo che sfidò Cosa Nostra
2007  7 and 8
2009  Pinocchio
2010  Letters to Juliet
2011  Anche se è amore non si vede
2014  L'assalto
2014  Let's Go to the Country
2016  At War for Love
2017  It’s the Law
2019  Golden Men
2019  Once Upon a Time in Bethlehem
2021  Help! My In-Laws Are Vampires!
2023  Still Time

Steadicam Operator:
2000  Winds of Passion
2002  Maximum Velocity (V-Max)
2003  The Best of Youth
2004  Saint John Bosco Mission to Love
2005  L'orizzonte degli eventi
2006  Giovanni Falcone - L'uomo che sfidò Cosa Nostra
2007  7 and 8
2007  A Beautiful Wife
2009  Pinocchio
2010  Giallo
2010  Letters to Juliet
2011  Anche se è amore non si vede
2014  L'assalto
2014  Let's Go to the Country
2016  At War for Love
2017  It’s the Law
2019  Golden Men
2019  Once Upon a Time in Bethlehem
2020  Miss Marx
2021  Help! My In-Laws Are Vampires!
2023  Still Time

Click the heading above to show or hide the list.

TV Production

Camera Operator:
2009  Good and Evil

Steadicam Operator:
2009  Good and Evil
2009  Nel nome del male

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.