A work in constant progress (and occasional regress).
Birthplace:
County Dublin, Ireland
Born:
January 1, 1980
Born in Ireland of Italian descent, Sonya Macari began appearing in television commercials in Dublin at the age of 18, and her acting debut was in the Irish hit show “The Clinic” followed by a recurring role on Showtime’s “ The Tudors.” She now resides in Los Angeles and has built on the success she has achieved as a stage and screen actress in Ireland, playing a variety of roles including a feature in the ten time Oscar nominated silent movie “ The Artist,” the title role of “Mary Magdalene” for the Hallmark channel, an Italian spy "Antonia” for the hit show “Chuck” on NBC, Francesca in a TV series “Caravaggio And My Mother The Pope.” Other credits include the lead role of “Sara” in an apocalyptic science fiction movie entitled “ Protocol” alongside Eric Lange, and Eva Clark, a 1930’s stage actress driven by the pressure of achieving and losing fame in “Behind The Curtain,” a film noir homage and festival favorite. In “Kiss The Devil,” a fantasy thriller, Sonya stars as “Vanessa” alongside Doug Jones, and was nominated for Best Supporting Actress at The Utah Film Festival, and won Best Supporting Actress at the Maverick Movie Awards. Just recently Sonya booked a role in the hit American show “It’s Always Sunny In Philadelphia,” which is due to air worldwide soon. Sonya is also a book narrator and has narrated several books for Penguin Random House international. She is a member of SAG/AFTRA, Irish and British Equity.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.