A work in constant progress (and occasional regress).
Birthplace:
Portugal
Joao Maria Gusmao b. 1979, Pedro Paiva b. 1977. Live and work in Lisbon. The Portuguese artists Joao Maria Gusmao and Pedro Paiva have collaborated since 2001 on creating objects, installations and 16mm and 35mm short films. The duo describe their overall project as a kind of “recreational metaphysics,” a genre that to a certain extent they themselves have re-invented following the Portuguese poet Alberto Caeiro (Fernando Pessoa) on his layered aesthetical modern experiment on materialism. The short films depict staged episodes and sequences of pseudo-scientific experiments with both poetical and comical consequences. In recent years Gusmao and Paiva’s production has centered on the idea of movement and duration, both within the cinematographic vocabulary, with references to early film pioneers as Eadweard Muybridge and Etienne-Jules Marey, and through the artists’ own practical experiments and conceptual invention.
Director:
2007 Eye Eclipse
2007 The Human Torch
2008 Fried Egg
2008 Meteoritica
2008 The Initiate
2009 3 Sóis
2009 A Coluna de Colombo
2009 Hand Smaller than Hand
2009 The Soup
2009 Ventriloquismo
2010 Cassowary
2010 Heat Ray
2010 Pot Smaller than Pot
2011 Benguelino Casting a Spell on the Camera
2011 Bread, Tea and Bao Game
2011 Cowfish
2011 Dream of a Ray Fish
2011 Getting into bed
2011 Solar, the Blindman Easting a Papaya
2011 The Horse of the Prophet
2011 Wheels
2012 Placing the Fisheye
2012 Those Animals That, at a Distance, Resemble Flies
2012 Water mill
2013 Proboscis
2013 Three Albinos Telling Jokes by the Fireplace
2013 Triangles and Squares
2014 Papagaio (Djambi)
2015 Sleeping in a bullet train
2016 Chopping Fruits and Vegetables
2018 Sleeping Flamingo
???? Spaguetti Tornado
???? Turtle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.