A work in constant progress (and occasional regress).
Birthplace:
Tirana, Albania
Born:
January 1, 1974
Anri Sala is an Albanian contemporary artist whose primary medium is video. Sala studied art at the Albanian Academy of Arts from 1992 to 1996. He also studied video at the Ecole Nationale des Arts Décoratifs, Paris and film direction in Le Fresnoy-Studio National des Arts Contemporains, Tourcoing. He lives and works in Paris.
Director:
1997 Breakfast at Marubi
1998 Interview
1999 Nocturnos
2000 Byrek
2000 Uomoduomo
2001 Arena
2001 Missing Landscape
2001 Promises
2002 Blindfold (tirane & vlore)
2002 Ghostgames
2002 Naturalmystic (Tomahawk 2)
2003 Give Me the Colours
2003 Mixed Behavior
2003 Time After Time
2004 Làk-kat
2004 Now I See
2004 Three Minutes
2004 Untitled
2005 Long Sorrow
2006 Air Cushioned Ride
2006 Window Drawing
2007 A Spurious Emission
2007 After Three Minutes (right & left)
2007 Overthinking
2008 Answer Me
2008 It will happen exactly like that
2008 Who is afraid of red, yellow and green
2011 1395 Days without Red
2017 Ravel Ravel Interval
2018 If and Only If
2018 Slip of the Line
Writer:
1997 Breakfast at Marubi
1998 Interview
1999 Nocturnos
2000 Byrek
2000 Uomoduomo
2001 Arena
2001 Missing Landscape
2001 Promises
2002 Blindfold (tirane & vlore)
2002 Ghostgames
2002 Naturalmystic (Tomahawk 2)
2003 Give Me the Colours
2003 Mixed Behavior
2003 Time After Time
2004 Làk-kat
2004 Now I See
2004 Three Minutes
2004 Untitled
2005 Long Sorrow
2006 Air Cushioned Ride
2006 Window Drawing
2007 A Spurious Emission
2007 After Three Minutes (right & left)
2007 Overthinking
2008 Answer Me
2008 It will happen exactly like that
2008 Who is afraid of red, yellow and green
2011 1395 Days without Red
2017 Ravel Ravel Interval
2018 If and Only If
2018 Slip of the Line
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.