A work in constant progress (and occasional regress).
Alias:
Marcin Gizycki
Birthplace:
Warsaw, Poland
Born:
September 26, 1951
Died:
October 21, 2022
Marcin Giżycki was a Polish film and art historian, critic, and filmmaker. He was a professor at the Polish-Japanese Academy of Information Technology in Warsaw (since 2015), a Senior Lecturer at the Rhode Island School of Design (since 1988), and an Artistic Director of the ANIMATOR (festival) International Animated Film Festival Animator in Poznań, Poland (since 2007). He has authored eight books, co-edited two others, contributed photographs to four books by Agnieszka Taborska, and published around 400 articles on film and art in Polish and foreign publications. In 2016, he received the Award for the Outstanding Contribution to Animation Studies at Animafest, the World Festival of Animated Film in Zagreb, Croatia.
Animation:
2012 Kinefaktura
Art Designer:
2012 Kinefaktura
Cinematography:
2012 Kinefaktura
2021 Arrow Board Game
Director:
2012 Kinefaktura
2014 A Magic-Lantern Life
2018 Sculptor with a Camera
2019 Sunset
2021 Arrow Board Game
2022 Tide
2023 Der Blaue Reiter
Editor:
2012 Kinefaktura
2014 A Magic-Lantern Life
2018 Sculptor with a Camera
2019 Sunset
2021 Arrow Board Game
2022 Tide
2023 Der Blaue Reiter
Producer:
2012 Kinefaktura
2014 A Magic-Lantern Life
2018 Sculptor with a Camera
2019 Sunset
2021 Arrow Board Game
2022 Tide
2023 Der Blaue Reiter
Screenplay:
2012 Kinefaktura
2014 A Magic-Lantern Life
2018 Sculptor with a Camera
2019 Sunset
2021 Arrow Board Game
2022 Tide
2023 Der Blaue Reiter
Writer:
2012 Kinefaktura
2014 A Magic-Lantern Life
2018 Sculptor with a Camera
2019 Sunset
2021 Arrow Board Game
2022 Tide
2023 Der Blaue Reiter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.