A work in constant progress (and occasional regress).
Anahita Ghazvinizadeh (b1989, Tehran, Iran) got her BFA in cinema from Tehran University of Art and her MFA in studio arts from The School of the Art Institute of Chicago. Anahita has studied with Abbas Kiarostami and is influenced by his cinematic style. Since 2011 she started to work on a trilogy of short films with children as main characters. When the Kid was a Kid (2011, Iran) and Needle (2013, US) are the first two finished pieces. Needle was premiered in Cannes Film Festival, Cinefondation selection and won the Premier Prix. Anahita was selected as one of the 25 New Faces of Independent Cinema in 2013 by the Filmmaker Magazine. She is also the co-writer of the acclaimed feature film, Mourning (2011).
Director:
2011 When The Kid Was A Kid
2013 Needle
2015 Baron In The Trees
2016 Break the Silence
2016 What Remains
2018 They
2024 My Life is Wind (a letter)
Editor:
2011 When The Kid Was A Kid
2013 Needle
2015 Baron In The Trees
2016 Break the Silence
2016 What Remains
2018 They
2024 My Life is Wind (a letter)
Producer:
2011 When The Kid Was A Kid
2013 Needle
2015 Baron In The Trees
2016 Break the Silence
2016 What Remains
2018 They
2024 My Life is Wind (a letter)
Screenplay:
2011 Mourning
2011 When The Kid Was A Kid
2013 Needle
2015 Baron In The Trees
2016 Break the Silence
2016 What Remains
2018 They
2024 My Life is Wind (a letter)
Writer:
2011 Mourning
2011 When The Kid Was A Kid
2013 Needle
2015 Baron In The Trees
2016 Break the Silence
2016 What Remains
2018 They
2024 My Life is Wind (a letter)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.