A work in constant progress (and occasional regress).
Alias:
Toichiro Narushima
Tôichirô Narushima
Cinematography:
1962 Dolls floating down the river
1975 雪夫人繪圖
Director:
1962 Dolls floating down the river
1973 Time Within Memory
1975 雪夫人繪圖
1986 Katana
Director of Photography:
1960 Blood Is Dry
1960 Good-for-Nothing
1961 Bitter End of a Sweet Night
1962 Akitsu Hot Springs
1962 Dolls floating down the river
1962 Get Married, Mother
1963 18 Roughs
1963 Twin Sisters of Kyoto
1964 Escape from Japan
1964 Our Happiness Alone
1964 The Shape of Night
1965 Snow Country
1966 The Kii River
1967 Explosion Course
1969 Double Suicide
1970 The Man Who Left His Will on Film
1971 The Ceremony
1973 Time Within Memory
1975 雪夫人繪圖
1983 Merry Christmas, Mr. Lawrence
1986 Katana
Executive Producer:
1960 Blood Is Dry
1960 Good-for-Nothing
1961 Bitter End of a Sweet Night
1962 Akitsu Hot Springs
1962 Dolls floating down the river
1962 Get Married, Mother
1963 18 Roughs
1963 Twin Sisters of Kyoto
1964 Escape from Japan
1964 Our Happiness Alone
1964 The Shape of Night
1965 Snow Country
1966 The Kii River
1967 Explosion Course
1969 Double Suicide
1970 The Man Who Left His Will on Film
1971 The Ceremony
1973 Time Within Memory
1975 雪夫人繪圖
1983 Merry Christmas, Mr. Lawrence
1986 Katana
Screenplay:
1960 Blood Is Dry
1960 Good-for-Nothing
1961 Bitter End of a Sweet Night
1962 Akitsu Hot Springs
1962 Dolls floating down the river
1962 Get Married, Mother
1963 18 Roughs
1963 Twin Sisters of Kyoto
1964 Escape from Japan
1964 Our Happiness Alone
1964 The Shape of Night
1965 Snow Country
1966 The Kii River
1967 Explosion Course
1969 Double Suicide
1970 The Man Who Left His Will on Film
1971 The Ceremony
1973 Time Within Memory
1975 雪夫人繪圖
1983 Merry Christmas, Mr. Lawrence
1986 Katana
Director of Photography:
1967 ゴメスの名はゴメス
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.