A work in constant progress (and occasional regress).
Alias:
Gillian Horvat
Gillian Wallace Horvat is a producer and director, known for I Blame Society (2021), Kiss Kiss Fingerbang (2015), Whiskey Fist (2017) and A Fuller Life (2013).
Co-Producer:
2016 Tides and Nightmares
Director:
1996 Oscars and Ulcers: The Production History of 'High Noon'
2015 Kiss Kiss Fingerbang
2016 A Stanley Kramer Production
2016 A Ticking Clock
2016 Imitation of Life: The Blacklist History of High Noon
2016 Johnny Guitar: A Feminist Western?
2016 Johnny Guitar: A Western Like No Other
2016 Tell Us She Was One of You: The Hollywood Blacklist and 'Johnny Guitar'
2016 Tides and Nightmares
2017 A Deal Made in a Turkish Bath
2017 An Independent Woman: Changing sensibilities in a post-war Hollywood
2017 Ophülsesque: The Look of Letter from an Unknown Woman
2017 Whiskey Fist
2018 I No Longer Belong: The Rise and Fall of Walter Wanger
2018 The Difference Between You and Me
2020 'Hair' Style
2020 Artist, Teacher, Mentor: Remembering Milos Forman
2020 Cutting 'Hair'
2020 I Blame Society
2020 Making Chance Work: Choreographing 'Hair'
2020 The Tribe Remembers
Producer:
1996 Oscars and Ulcers: The Production History of 'High Noon'
2013 A Fuller Life
2015 Kiss Kiss Fingerbang
2016 A Stanley Kramer Production
2016 A Ticking Clock
2016 Imitation of Life: The Blacklist History of High Noon
2016 Johnny Guitar: A Feminist Western?
2016 Johnny Guitar: A Western Like No Other
2016 Tell Us She Was One of You: The Hollywood Blacklist and 'Johnny Guitar'
2016 Tides and Nightmares
2017 A Deal Made in a Turkish Bath
2017 A Letter to Castro
2017 An Independent Woman: Changing sensibilities in a post-war Hollywood
2017 Ophülsesque: The Look of Letter from an Unknown Woman
2017 Whiskey Fist
2018 I No Longer Belong: The Rise and Fall of Walter Wanger
2018 The Difference Between You and Me
2018 The Fear is Real
2018 The Stranger in Your Lover's Eyes
2020 'Hair' Style
2020 Artist, Teacher, Mentor: Remembering Milos Forman
2020 Cutting 'Hair'
2020 I Blame Society
2020 Making Chance Work: Choreographing 'Hair'
2020 The Tribe Remembers
Writer:
1996 Oscars and Ulcers: The Production History of 'High Noon'
2013 A Fuller Life
2015 Kiss Kiss Fingerbang
2016 A Stanley Kramer Production
2016 A Ticking Clock
2016 Imitation of Life: The Blacklist History of High Noon
2016 Johnny Guitar: A Feminist Western?
2016 Johnny Guitar: A Western Like No Other
2016 Tell Us She Was One of You: The Hollywood Blacklist and 'Johnny Guitar'
2016 Tides and Nightmares
2017 A Deal Made in a Turkish Bath
2017 A Letter to Castro
2017 An Independent Woman: Changing sensibilities in a post-war Hollywood
2017 Ophülsesque: The Look of Letter from an Unknown Woman
2017 Whiskey Fist
2018 I No Longer Belong: The Rise and Fall of Walter Wanger
2018 The Difference Between You and Me
2018 The Fear is Real
2018 The Stranger in Your Lover's Eyes
2020 'Hair' Style
2020 Artist, Teacher, Mentor: Remembering Milos Forman
2020 Cutting 'Hair'
2020 I Blame Society
2020 Making Chance Work: Choreographing 'Hair'
2020 The Tribe Remembers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.