A work in constant progress (and occasional regress).
Birthplace:
Salzburg, Austria
Born:
May 16, 1967
Virgil Widrich is an Austrian director, screenwriter, filmmaker and multimedia artist. Widrich works on a large number of films and multimedia projects, sometimes as part of a creative team. He is known especially for his numerous short films and multimedia works.
Animation:
2021 There is exactly enough time
Cinematography:
1982 Monster in Salzburg
2021 There is exactly enough time
Director:
1982 Monster in Salzburg
1998 tx-transform
2000 Heller als der Mond
2001 Copy Shop
2003 Fast Film
2006 Cinema 16: European Short Films (European Edition)
2007 Cinema 16: European Short Films (U.S. Edition)
2010 Make/Real
2011 Warning Triangle
2015 Back Track
2016 Night of a 1000 Hours
2016 Vienna Table Trip
2018 Light Matter
2019 TX-Reverse
2021 There is exactly enough time
???? Micromeo
Director of Photography:
1982 Monster in Salzburg
1998 tx-transform
2000 Heller als der Mond
2001 Copy Shop
2003 Fast Film
2006 Cinema 16: European Short Films (European Edition)
2007 Cinema 16: European Short Films (U.S. Edition)
2010 Make/Real
2011 Warning Triangle
2015 Back Track
2016 Night of a 1000 Hours
2016 Vienna Table Trip
2018 Light Matter
2019 TX-Reverse
2021 There is exactly enough time
???? Micromeo
Editor:
1982 Monster in Salzburg
1998 tx-transform
2000 Heller als der Mond
2001 Copy Shop
2003 Fast Film
2006 Cinema 16: European Short Films (European Edition)
2007 Cinema 16: European Short Films (U.S. Edition)
2010 Make/Real
2011 Warning Triangle
2015 Back Track
2016 Night of a 1000 Hours
2016 Vienna Table Trip
2018 Light Matter
2019 TX-Reverse
2021 There is exactly enough time
???? Micromeo
Producer:
1982 Monster in Salzburg
1998 tx-transform
2000 Heller als der Mond
2001 Copy Shop
2003 Fast Film
2006 Cinema 16: European Short Films (European Edition)
2007 Cinema 16: European Short Films (U.S. Edition)
2010 Make/Real
2011 Warning Triangle
2015 Back Track
2016 Night of a 1000 Hours
2016 Vienna Table Trip
2018 Light Matter
2019 TX-Reverse
2021 There is exactly enough time
???? Micromeo
Special Effects:
1982 Monster in Salzburg
1998 tx-transform
2000 Heller als der Mond
2001 Copy Shop
2003 Fast Film
2006 Cinema 16: European Short Films (European Edition)
2007 Cinema 16: European Short Films (U.S. Edition)
2010 Make/Real
2011 Warning Triangle
2015 Back Track
2016 Night of a 1000 Hours
2016 Vienna Table Trip
2018 Light Matter
2019 TX-Reverse
2021 There is exactly enough time
???? Micromeo
Writer:
1982 Monster in Salzburg
1998 tx-transform
2000 Heller als der Mond
2001 Copy Shop
2003 Fast Film
2006 Cinema 16: European Short Films (European Edition)
2007 Cinema 16: European Short Films (U.S. Edition)
2010 Make/Real
2011 Warning Triangle
2015 Back Track
2016 Night of a 1000 Hours
2016 Vienna Table Trip
2018 Light Matter
2019 TX-Reverse
2021 There is exactly enough time
???? Micromeo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.