A work in constant progress (and occasional regress).
Alias:
Frederic Mermoud
Birthplace:
Sion, Switzerland
Born:
January 1, 1969
Associate Producer:
2019 Particles
Director:
1999 Les électrons libres
2003 L'escalier
2004 Bonhomme de chemin
2006 Rachel
2007 Parallel Parking
2009 Accomplices
2015 À rebours
2016 Moka
2016 What the Eye Doesn't See
2018 Sirius
2019 Particles
2023 The Path of Excellence
Producer:
1999 Les électrons libres
2003 L'escalier
2004 Bonhomme de chemin
2006 Rachel
2007 Parallel Parking
2009 Accomplices
2015 À rebours
2016 Moka
2016 What the Eye Doesn't See
2018 Sirius
2019 Particles
2021 The Brain
2023 The Path of Excellence
Project Manager:
1999 Les électrons libres
2003 L'escalier
2004 Bonhomme de chemin
2006 Rachel
2007 Parallel Parking
2009 Accomplices
2014 Discipline
2015 À rebours
2016 Moka
2016 What the Eye Doesn't See
2018 Sirius
2019 Particles
2021 The Brain
2023 The Path of Excellence
Scenario Writer:
1999 Les électrons libres
2003 L'escalier
2004 Bonhomme de chemin
2006 Rachel
2007 Parallel Parking
2009 Accomplices
2014 Discipline
2015 À rebours
2016 Moka
2016 What the Eye Doesn't See
2018 Sirius
2019 Particles
2021 The Brain
2023 The Path of Excellence
Screenplay:
1999 Les électrons libres
2003 L'escalier
2004 Bonhomme de chemin
2006 Rachel
2007 Parallel Parking
2009 Accomplices
2014 Discipline
2015 À rebours
2016 Moka
2016 What the Eye Doesn't See
2018 Sirius
2019 Particles
2021 The Brain
2023 The Path of Excellence
Writer:
1999 Les électrons libres
2003 L'escalier
2004 Bonhomme de chemin
2006 Rachel
2007 Parallel Parking
2009 Accomplices
2014 Discipline
2015 À rebours
2016 Moka
2016 What the Eye Doesn't See
2018 Prénom: Mathieu
2018 Sirius
2019 Particles
2021 The Brain
2023 The Path of Excellence
Director:
2019 Criminal: France
Writer:
2019 Criminal: France
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.