A work in constant progress (and occasional regress).
Birthplace:
Metković, Kingdom of Dalmatia, Austria-Hungary
Born:
January 17, 1913
Died:
September 5, 1980
Obrad Gluščević (17 January 1913 – 5 September 1980) was a Croatian film director. He wrote and directed around twenty documentaries, five feature films and two television series. Born in Metković, Gluščević first began acting in theatres in nearby Dubrovnik. His first notable works were documentary and live-action shorts made in the 1950s and 1960s, some of which won awards at film festivals in Venice, Cannes, Oberhausen and Belgrade. In the mid-1960s Gluščević turned to making feature films, and made three comedies which depict life in rural Dalmatia: Lito vilovito (1964), Čovik od svita (1965) and Goli čovik (1968). After that he directed two children's films (Vuk samotnjak in 1972 and Kapetan Mikula Mali in 1974). Mikula Mali was later expanded into a television series aired in 1976. Gluščević also authored the popular Yugoslav children's TV series Jelenko in 1980 produced by the Radiotelevision Zagreb. Gluščević was honoured with the Vladimir Nazor Award for life achievement in film in 1978, two years before his death in September 1980.
Director:
1962 Wolf
1964 Mad Summer
1965 Man of the World
1967 People of the Neretva River
1968 The Naked Man
1972 Lone Wolf
1974 Captain Mikula the Kid
Story:
1962 Wolf
1964 Mad Summer
1965 Man of the World
1967 People of the Neretva River
1968 The Naked Man
1972 Lone Wolf
1974 Captain Mikula the Kid
Writer:
1962 Wolf
1964 Mad Summer
1965 Man of the World
1967 People of the Neretva River
1968 The Naked Man
1972 Lone Wolf
1974 Captain Mikula the Kid
1974 The Organ and the Firemen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.