A work in constant progress (and occasional regress).
Chris Swanson is a founding partner of the American independent record labels Dead Oceans (formed in 2007), Jagjaguwar (1996) and Secretly Canadian (1996), each operated primarily out of Bloomington, Indiana, with satellite offices in New York, London and Austin. These labels are home to such diverse acts as Bon Iver, Antony & the Johnsons, Yeasayer, comedian Tig Notaro, The Tallest Man on Earth, Jens Lekman, Dinosaur Jr., The War on Drugs, Foxygen, Phosphorescent, The Besnard Lakes, Okkervil River and Black Mountain, to name a few. Swanson first got involved in cinema through the works of Rick Alverson, whose first three features - The Builder (2010), New Jerusalem (2011) and The Comedy (2012) - were each co-executive produced by Swanson and his Jagjaguwar partners Darius Van Arman, Ben Swanson and Jonathan Cargill. He acted as music supervisor for The Builder and The Comedy, and has gone on to work with director Joe Swanberg on Drinking Buddies (2013). He is currently working on three other film projects that are in production. In 2011, Swanson co-founded the artist management company Fort William Artist Management, with Ami Spishock, Ben Swanson and Darius Van Arman. Some of Fort William's clients include Beirut, Grizzly Bear, Jens Lekman and The War On Drugs. In 2012, Swanson co-founded SC Publishing, a boutique music publishing service, whose client roster includes Bill Fay, Foxygen, Kishi Bashi, Spencer Krug, Night Beds and Frankie Rose, among others.
Executive Producer:
2011 New Jerusalem
Music Supervisor:
2011 New Jerusalem
2014 Happy Christmas
2014 Night Moves
2015 6 Years
2015 The Overnight
2016 Joshy
2016 Other People
2017 Lovesong
2017 Person to Person
2017 Win It All
2018 Hearts Beat Loud
2019 The Mountain
2020 Feels Good Man
2020 I Used to Go Here
2020 Minor Premise
2020 The Last Shift
2021 Ride the Eagle
2021 The Evening Hour
2021 Untold: Breaking Point
2021 Untold: Caitlyn Jenner
2021 Untold: Crime & Penalties
2023 Untold: Jake Paul the Problem Child
2024 I Saw the TV Glow
Music Supervisor:
2018 Wild Wild Country
2020 A Teacher
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.