Gladys George (1900-1954)

Alias:
Gladys Anna Clare
Gladys Clare Evans
Гледис Џорџ
Гледіс Джордж
Глэдис Джордж

Birthplace:
Patten, Maine, USA

Born:
September 12, 1900

Died:
December 8, 1954

Gladys George was an American actress.  George went on the stage at the age of 3 and toured the United States, appearing with her parents. She starred on stage in the 1920s, although she had made several films in the early part of that decade. She starred in Personal Appearance, a comedy by Lawrence Riley. This role was reprised by Mae West in the classic film, Go West, Young Man, which West adapted from the play. In 1936 George was nominated for an Academy Award for Best Actress for Valiant Is the Word for Carrie.  George's Broadway credits include The Distant City, Lady in Waiting, and The Betrothal.  Her only other first billed roles were in Madame X (1937) and Love is a Headache.[6] She also appeared in The Roaring Twenties (1939), The Way of All Flesh (1940), The Best Years of Our Lives (1946) and He Ran All the Way (1951). She played the widow of Miles Archer (Iva Archer) in The Maltese Falcon and Mme. Du Barry in Marie Antoinette.  Her last successful roles were as Lute Mae Sanders in Flamingo Road, her brief appearance as the corrupt nurse Miss Hatch in Detective Story, and Lullaby of Broadway as the alcoholic mother of Doris Day's wholesome character.  Description above from the Wikipedia article Gladys George, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.