A work in constant progress (and occasional regress).
Alias:
شیرین نشاط
Birthplace:
Qazvin, Iran
Born:
March 26, 1957
Shirin Neshat ( شیرین نشاط, born March 26, 1957 Qazvin) is an Iranian visual artist who lives in New York City, known primarily for her work in film, video and photography. Her artwork centers on the contrasts between Islam and the West, femininity and masculinity, public life and private life, antiquity and modernity, and bridging the spaces between these subjects. Since Iran has undermined basic human rights, particularly since the Islamic Revolution she has said that she has "gravitated toward making art that is concerned with tyranny, dictatorship, oppression and political injustice. Although I don’t consider myself an activist, I believe my art – regardless of its nature – is an expression of protest, a cry for humanity.” Neshat has been recognized countless times for her work, from winning the International Award of the XLVIII Venice Biennale in 1999, to winning the Silver Lion for best director at the 66th Venice Film Festival in 2009, to being named Artist of the Decade by Huffington Post critic G. Roger Denson. Neshat is a critic in the photography department at the Yale School of Art.
Director:
1998 Turbulent
1999 Rapture
1999 Soliloquy
2000 Fervor
2001 Passage
2002 Tooba
2003 Possessed
2005 Zarin
2009 Women Without Men
2013 Illusions & Mirrors
2013 Venice 70: Future Reloaded
2016 Roja
2016 Sarah
2017 Looking for Oum Kulthum
2018 The Carnival is Over
2019 Land of Dreams
2019 The Colony
2022 Land of Dreams
2023 The Fury
Screenplay:
1998 Turbulent
1999 Rapture
1999 Soliloquy
2000 Fervor
2001 Passage
2002 Tooba
2003 Possessed
2005 Zarin
2009 Women Without Men
2013 Illusions & Mirrors
2013 Venice 70: Future Reloaded
2016 Roja
2016 Sarah
2017 Looking for Oum Kulthum
2018 The Carnival is Over
2019 Land of Dreams
2019 The Colony
2022 Land of Dreams
2023 The Fury
Stage Director:
1998 Turbulent
1999 Rapture
1999 Soliloquy
2000 Fervor
2001 Passage
2002 Tooba
2003 Possessed
2005 Zarin
2009 Women Without Men
2013 Illusions & Mirrors
2013 Venice 70: Future Reloaded
2016 Roja
2016 Sarah
2017 Aida - Verdi - Salzburg Festival
2017 Looking for Oum Kulthum
2018 The Carnival is Over
2019 Land of Dreams
2019 The Colony
2022 Land of Dreams
2023 The Fury
Writer:
1998 Turbulent
1999 Rapture
1999 Soliloquy
2000 Fervor
2001 Passage
2002 Tooba
2003 Possessed
2005 Zarin
2009 Women Without Men
2013 Illusions & Mirrors
2013 Venice 70: Future Reloaded
2016 Roja
2016 Sarah
2017 Aida - Verdi - Salzburg Festival
2017 Looking for Oum Kulthum
2018 The Carnival is Over
2019 Land of Dreams
2019 The Colony
2022 Land of Dreams
2023 The Fury
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.