A work in constant progress (and occasional regress).
From Wikipedia, the free encyclopedia. Jed Riffe (born in Dallas Texas) is an award winning filmmaker and founder of Jed Riffe Films + Electronic Media. For over 25 years his documentary films have focused on social issues including: Native American histories and struggles (Ishi, the Last Yahi, California's "Lost" Tribes, Who Owns the Past?,) and agriculture, food and sustainability issues (Ripe for Change, Germ Wars). He currently lives and works in the San Francisco Bay Area. Description above from the Wikipedia article Jed Riffe, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
1994 Ishi, the Last Yahi
2000 Who Owns the Past?
2005 Waiting to Inhale
Executive Co-Producer:
1994 Ishi, the Last Yahi
2000 Who Owns the Past?
2005 Waiting to Inhale
2012 To Chris Marker, an Unsent Letter
Executive Producer:
1994 Ishi, the Last Yahi
2000 Who Owns the Past?
2005 Waiting to Inhale
2012 To Chris Marker, an Unsent Letter
2015 A New Color: The Art of Being Edythe Boone
Post Production Supervisor:
1994 Ishi, the Last Yahi
2000 Who Owns the Past?
2005 Waiting to Inhale
2012 To Chris Marker, an Unsent Letter
2015 A New Color: The Art of Being Edythe Boone
2016 A Dangerous Idea
Post-Production Manager:
1994 Ishi, the Last Yahi
2000 Who Owns the Past?
2005 Waiting to Inhale
2012 To Chris Marker, an Unsent Letter
2015 A New Color: The Art of Being Edythe Boone
2016 A Dangerous Idea
2018 The Long Shadow
Producer:
1994 Ishi, the Last Yahi
2000 Who Owns the Past?
2005 Waiting to Inhale
2012 To Chris Marker, an Unsent Letter
2015 A New Color: The Art of Being Edythe Boone
2016 A Dangerous Idea
2018 Is Your Story Making You Sick?
2018 The Long Shadow
2023 The 9 Lives of Barbara Dane
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.