A work in constant progress (and occasional regress).
Alias:
Moroni Swain
Мак Свейн
Birthplace:
Salt Lake City, Utah, USA
Born:
February 15, 1876
Died:
August 25, 1935
From Wikipedia, the free encyclopedia Mack Swain (born Moroni Swain, February 16, 1876 – August 25, 1935) was an early American film actor, who appeared in many of Mack Sennett's comedies at Keystone Studios, including the Keystone Cops series. He also appeared in major features by Charlie Chaplin. In the early 1900s Swain had his own stock theater company, which performed in the western and midwestern United States. Swain worked in vaudeville before starting in silent film at Keystone Studios under Mack Sennett. While with Keystone, he was teamed with Chester Conklin to make a series of comedy films. With Swain as "Ambrose" and Conklin as the grand mustachioed "Walrus", they performed these roles in several films including The Battle of Ambrose and Walrus and Love, Speed and Thrills, both made in 1915. Besides these comedies, the two appeared together in a variety of other films, 26 all told, and they also appeared separately and/or together in films starring Mabel Normand, Charles Chaplin, Roscoe Arbuckle and most of the rest of the roster of Keystone players. Swain later took his Ambrose character with him to the L-KO Kompany. Having already worked with Charles Chaplin at Keystone, Swain began working with him again at First National in 1921, appearing in The Idle Class, Pay Day, and The Pilgrim. He is also remembered for his large supporting role as Big Jim McKay in the 1925 film The Gold Rush, for United Artists, written by and starring Chaplin. For his contribution to the motion picture industry, Mack Swain received a star on the Hollywood Walk of Fame, at 1500 Vine Street.
Director:
1919 Heroic Ambrose
1920 Innocent Ambrose
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.