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Jessica Bardsley

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Biography from TheMovieDB

Jessica Bardsley is an artist-scholar working across film, writing, and studio art. She is currently Visiting Assistant Professor of Media Practice and Theory at Colgate University and a Visiting Fellow in the department of Art, Film, and Visual Studies at Harvard University. Her films have screened within the U.S. and internationally at festivals like CPH:DOX, Visions du Réel, EMAF, Flaherty NYC, RIDM, True/False, and many more. She is the recipient of various awards, including a Princess Grace Award, Grand Prize at 25FPS, the Eileen Maitland Award at the Ann Arbor Film Festival, Best Short Film at Punto de Vista, and numerous Film Study Center fellowships. Her research and writing have been supported by the Radcliffe Institute for Advanced Study, the Terra Foundation for American Art, and the Henry Luce Foundation/American Council of Learned Societies. She received a Ph.D. in Film and Visual Studies from Harvard University and an M.F.A. from the School of the Art Institute of Chicago.

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Film Production

Director:
2008  The Wren
2009  The Commoners
2013  Lie Back and Enjoy It: A Film About JoAnn Elam
2013  The Blazing World
2018  The Making and Unmaking of the Earth
2019  Goodbye Thelma
2022  Life Without Dreams

Producer:
2008  The Wren
2009  The Commoners
2013  Lie Back and Enjoy It: A Film About JoAnn Elam
2013  The Blazing World
2018  The Making and Unmaking of the Earth
2019  Goodbye Thelma
2022  Life Without Dreams

Writer:
2008  The Wren
2009  The Commoners
2013  Lie Back and Enjoy It: A Film About JoAnn Elam
2013  The Blazing World
2018  The Making and Unmaking of the Earth
2019  Goodbye Thelma
2022  Life Without Dreams

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.