A work in constant progress (and occasional regress).
Birthplace:
Ann Arbor, Michigan
Born:
March 28, 1930
Died:
March 3, 2014
A distinguished figure in American contemporary music, Robert Ashley holds an international reputation for his work in new forms of opera and multi-disciplinary projects. His recorded works are acknowledged classics of language in a musical setting. He pioneered opera-for-television. Born in Ann Arbor, Michigan on March 28, 1930, Robert Ashley was educated at the University of Michigan (Mus.B., 1952, Music Theory) and at the Manhattan School of Music (Mus.M., 1954, Piano and Composition.) From 1957 to 1960 he continued to study Composition and Acoustics at the University of Michigan’s Speech Research Laboratories (psycho-acoustics and cultural speech patterns), and was employed as a Research Assistant in Acoustics at the Architectural Research Laboratory. During the 1960s, Ashley organized the ONCE Festival, the annual festival of contemporary performing arts in Ann Arbor which, from 1961 to 1969, presented most of the decade’s pioneers of the performing arts. In 1980, the Kitchen (New York) commissioned Perfect Lives, an opera for television in seven half-hour episodes. After developing the opera in live tour performances throughout the US, Canada and Europe, Perfect Lives was co-produced with Great Britain’s arts network, Channel Four. First broadcast in Great Britain in April 1984, Perfect Lives has since been seen on television in Austria, Germany, Spain and the United States and has been shown at film and video festivals around the world. It is widely considered to be the pre-cursor of “music-television.” Robert Ashley is the subject of a film by Peter Greenaway, one of a series entitled Four American Composers, Transatlantic Films (London) and Mystic Fire Video (New York). Burning Books (Santa Fe) with Archer Fields (New York) published Perfect Lives, October 1991. Music with Roots in the Aether was published by MusikTexte (Cologne). Ashley’s book Outside of Time: Ideas about Music, was published by MusikTexte in 2009. Kyle Gann’s biography of Robert Ashley was published by the University of Illinois Press in November 2012. Ashley died on March 3, 2014. (Source: http://www.robertashley.org/)
Director:
1974 Music with Roots in the Aether: Opera for Television by Robert Ashley
Music:
1963 The House
1974 Music with Roots in the Aether: Opera for Television by Robert Ashley
1981 Music Word Fire And I Would Do It Again (Coo-Coo): The Lessons
1984 Atalanta Strategy
2019 Improvement (Don Leaves Linda)
Original Music Composer:
1963 The House
1974 Music with Roots in the Aether: Opera for Television by Robert Ashley
1981 Music Word Fire And I Would Do It Again (Coo-Coo): The Lessons
1984 Atalanta Strategy
1984 Perfect Lives
2019 Improvement (Don Leaves Linda)
Sound:
1963 The House
1974 Music with Roots in the Aether: Opera for Television by Robert Ashley
1981 Music Word Fire And I Would Do It Again (Coo-Coo): The Lessons
1984 Atalanta Strategy
1984 Perfect Lives
2019 Improvement (Don Leaves Linda)
???? She Was A Visitor
Writer:
1963 The House
1974 Music with Roots in the Aether: Opera for Television by Robert Ashley
1981 Music Word Fire And I Would Do It Again (Coo-Coo): The Lessons
1983 The Commission
1984 Atalanta Strategy
1984 Perfect Lives
2019 Improvement (Don Leaves Linda)
???? She Was A Visitor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.