A work in constant progress (and occasional regress).
Alias:
Victor Eugene Heerman
Birthplace:
Surrey, England, UK
Born:
August 27, 1893
Died:
November 3, 1977
From Wikipedia, the free encyclopedia Victor Heerman (August 27, 1893 – November 3, 1977) was an English-American film director, screenwriter and film producer.[1] After writing and directing short comedies for Mack Sennett, Heerman teamed with his wife Sarah Y. Mason to win the Academy Award for Best Adapted Screenplay of Louisa May Alcott's novel Little Women in 1933. He directed the Marx Brothers' second film, Animal Crackers, in 1930.
Additional Writing:
1944 Meet Me in St. Louis
Director:
1917 Are Waitresses Safe?
1917 Two Crooks
1920 The River's End
1921 My Boy
1922 John Smith
1923 Rupert of Hentzau
1923 The Dangerous Maid
1924 The Confidence Man
1925 Irish Luck
1927 Ladies Must Dress
1927 Rubber Heels
1928 Love Hungry
1930 Animal Crackers
1930 Moonlight and Romance
1930 Paramount on Parade
1930 Personality
1930 Sea Legs
1931 The Stolen Jools
1944 Meet Me in St. Louis
Other:
1917 Are Waitresses Safe?
1917 Two Crooks
1920 The River's End
1921 My Boy
1922 John Smith
1923 Rupert of Hentzau
1923 The Dangerous Maid
1924 The Confidence Man
1925 Irish Luck
1927 Ladies Must Dress
1927 Rubber Heels
1928 Love Hungry
1930 Animal Crackers
1930 Moonlight and Romance
1930 Paramount on Parade
1930 Personality
1930 Sea Legs
1931 The Stolen Jools
1944 Meet Me in St. Louis
1954 Magnificent Obsession
Screenplay:
1917 Are Waitresses Safe?
1917 Two Crooks
1920 The River's End
1921 My Boy
1922 John Smith
1923 Rupert of Hentzau
1923 The Dangerous Maid
1924 The Confidence Man
1925 Irish Luck
1927 Ladies Must Dress
1927 Rubber Heels
1928 Love Hungry
1930 Animal Crackers
1930 Moonlight and Romance
1930 Paramount on Parade
1930 Personality
1930 Sea Legs
1931 The Stolen Jools
1933 Little Women
1934 The Age of Innocence
1934 The Little Minister
1935 Break of Hearts
1935 Magnificent Obsession
1937 Stella Dallas
1939 Golden Boy
1944 Meet Me in St. Louis
1949 Little Women
1954 Magnificent Obsession
Story:
1917 Are Waitresses Safe?
1917 Two Crooks
1920 The River's End
1921 A Divorce of Convenience
1921 My Boy
1922 John Smith
1923 Rupert of Hentzau
1923 The Dangerous Maid
1924 The Confidence Man
1925 Irish Luck
1927 Ladies Must Dress
1927 Rubber Heels
1928 Love Hungry
1930 Animal Crackers
1930 Moonlight and Romance
1930 Paramount on Parade
1930 Personality
1930 Sea Legs
1931 The Stolen Jools
1933 Little Women
1934 The Age of Innocence
1934 The Little Minister
1935 Break of Hearts
1935 Magnificent Obsession
1937 Stella Dallas
1939 Golden Boy
1944 Meet Me in St. Louis
1949 Little Women
1954 Magnificent Obsession
Writer:
1917 Are Waitresses Safe?
1917 Two Crooks
1920 The River's End
1921 A Divorce of Convenience
1921 My Boy
1922 John Smith
1923 Rupert of Hentzau
1923 The Dangerous Maid
1924 The Confidence Man
1925 Irish Luck
1927 Ladies Must Dress
1927 Rubber Heels
1928 Love Hungry
1930 Animal Crackers
1930 Moonlight and Romance
1930 Paramount on Parade
1930 Personality
1930 Sea Legs
1931 The Stolen Jools
1933 Little Women
1934 The Age of Innocence
1934 The Little Minister
1935 Break of Hearts
1935 Magnificent Obsession
1937 Stella Dallas
1939 Golden Boy
1944 Meet Me in St. Louis
1949 Little Women
1954 Magnificent Obsession
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.