A work in constant progress (and occasional regress).
Alias:
Arezki Berkouk
مصطفى بديع
Birthplace:
Alger, Algérie
Born:
July 19, 1927
Died:
January 27, 2001
Director and actor born in Algiers, Arezki Berkouk (أرزقي برقوق) made his debut in the municipal troupe of the Arab theater of the Algiers Opera, created by Mahieddine Bachtarzi and Mustapha Kateb, before acquiring training at the former RTF . At independence, under the name Mustapha Badie, he shot Our Mothers, a feature-length drama inspired by "Children of the Casbah", the play by Abdelhalim Raïs. With "La Nuit a Peur du Soleil" then, in the form of an imposing fresco lasting more than three hours for the cinema, he set about rereading Algerian society during the decade 1952-1962. In four scenes (“The Earth Was Thirsty”, “The Paths to the Prison”, “Story of Saliha” and “Story of Fatma”), Mustapha Badie does not hesitate to say a lot in a single film. He does it again with "The Escape of Hassan Terro", based on the character of Rouïched, but it is above all the success of the soap opera "El Harik" (The Fire), adapted from Mohamed Dib's trilogy "The Big House ", "L'Incendie" and "Le Metier à Tisser", for the small screen in 10 episodes, which earned it exceptional popular success and immortalized in passing the character of La Aïni, by propelling its interpreter, the actress Chafia Boudraa, towards notoriety. While continuing to film 'Le Chant du Souvenir', 'Kenza', then 'Hassan Ibn Ali' for television, Mustapha Badie remained a discreet artisan like many artists and technicians of his generation who no longer found their brands in a country in turmoil. The artist bowed out on June 27, 2001 in Algiers, following a long illness.
Director:
1963 Le Serment
1965 The Night is Afraid of the Sun
1969 L'inspecteur Tahar L'auberge du Pendu
1974 Hassan Terro's Escape
Writer:
1963 Le Serment
1965 The Night is Afraid of the Sun
1969 L'inspecteur Tahar L'auberge du Pendu
1974 Hassan Terro's Escape
Creator:
1974 L’Incendie (El Harik)
Director:
1974 L’Incendie (El Harik)
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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