A work in constant progress (and occasional regress).
Alias:
أحمد بجاوي
Birthplace:
Sebdou, Algeria
Born:
January 1, 1943
Ahmed Bedjaoui (in arabic : أحمد بجاوي), born in 1943 in Sebdou in Algeria, is a journalist, host, director, writer and an emblematic figure, the “Mister” of Algerian cinema. He hosted the famous Télé Ciné Club from 1969 to 1989. With his particular tone, but above all content, he introduced Algerians to the classics of cinema. He knew, with pedagogy, and the guests he invited to the set, how to dissect a film. We could see, with relish, the works of Alfred Hitchcock, Ingmar Bergman, Salah Abou Seif, and, of course, Algerian films. Ahmed Bedjaoui has had a solid career in the press, cinema and television. Graduated from IDHEC in 1966, and held a P.H.D. since 1983. in American literature with a thesis on Scott Fitzgerald and Hollywood. A freelance journalist in the written press since 1966, in charge, among other things, of the cinema, television and radio sections, he was successively from 1969, producer and presenter of programs on cinema on Algerian Television, programmer and head of archives at the Algerian Cinematheque from 1966 to 1971, and advisor to the general director of the Algerian Cinema Office (ONCIC) from 1971 to 1977. It was on this date that he was appointed Director of the film production department at Radio-Television Algerian, completing more than 70 feature films. Vice-president of the National Audiovisual Council from 1987 to 1991, he was also advisor for communications to the Algerian Prime Minister. After working as a consultant for the European Commission, since 1993 he has been director of the REMFOC network, an organization dedicated to the development of North African journalists. Advisor for cinema to the Algerian Minister of Communication in 2000, he was appointed Deputy Commissioner General for the Year of Algeria in France in 2003. He was commissioner of the Algerian film week, at the Maison des Cultures du Monde of Berlin. Laureate of the "Institut des Hautes Etudes Cinematographics" (IDHEC - Paris) and holder of a Doctorate in American literature, Ahmed BEDJAOUI is artistic director of the Algiers committed film festival and President of the Algerian Cinema Aid Fund. He is a university professor at the faculty of communication at Algiers University. Ahmed Bedjaoui is the author of five works: "Images and faces", "Cinema and war of liberation, battles of images", "Arab literature and cinemas", "The Algerian War in world cinema", " Cinema in its golden age” and “The Saga of the creation of the Algerian cinema library (1965-1969)”. In France in 2016, he received the title of Officer of Arts and Letters. In 2015, UNESCO awarded him the Féderico Fellini Medal for services to film culture around the world. In 2019, he is President of the Feature Film Jury at the 26th FESPACO, Ouaga, Burkina Faso.
Director:
1968 Le Grand Détour
1969 Stories of the Revolution
Executive Producer:
1968 Le Grand Détour
1969 Stories of the Revolution
1985 The Epic of Cheikh Bouamama
Producer:
1968 Le Grand Détour
1969 Stories of the Revolution
1980 Boualem Zid El Goudam
1985 The Epic of Cheikh Bouamama
Writer:
1968 Le Grand Détour
1969 Stories of the Revolution
1980 Boualem Zid El Goudam
1985 The Epic of Cheikh Bouamama
Writer:
1969 Télé Ciné Club
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.