A work in constant progress (and occasional regress).
Alias:
Michael Gabor
Sound:
2004 Czech Dream
2009 Auto*Mat
2009 Jan Hus - mse za tri mrtvé muze
2010 Czech Peace
2011 All for the good of the World and Nosovice
2013 Divadlo Komedie 2002-2012
2013 Dobrý řidič Smetana
2013 Otázky pana Lásky
2013 Velvet Terrorists
2014 Parta Analog
2016 Steam on the River
2017 The White World According to Daliborek
2019 #sandravugande
2019 Bratři Okamurovi
2020 Hens, Virus and Us
2021 Once Upon a Time in Poland
2024 Confrontation
2024 Happiness to All
2024 Putin's Playground
2024 Wishing on a Star
Sound Editor:
2004 Czech Dream
2009 Auto*Mat
2009 Jan Hus - mse za tri mrtvé muze
2010 Czech Peace
2011 All for the good of the World and Nosovice
2012 Rok konopí
2013 Divadlo Komedie 2002-2012
2013 Dobrý řidič Smetana
2013 Otázky pana Lásky
2013 Velvet Terrorists
2014 Parta Analog
2016 Steam on the River
2017 The White World According to Daliborek
2019 #sandravugande
2019 Bratři Okamurovi
2020 Hens, Virus and Us
2021 Once Upon a Time in Poland
2024 Confrontation
2024 Happiness to All
2024 Putin's Playground
2024 Wishing on a Star
Sound Recordist:
2004 Czech Dream
2009 Auto*Mat
2009 Jan Hus - mse za tri mrtvé muze
2010 Czech Peace
2011 All for the good of the World and Nosovice
2012 Rok konopí
2013 Divadlo Komedie 2002-2012
2013 Dobrý řidič Smetana
2013 Otázky pana Lásky
2013 Velvet Terrorists
2014 Parta Analog
2016 Steam on the River
2017 The White World According to Daliborek
2019 #sandravugande
2019 Bratři Okamurovi
2020 Hens, Virus and Us
2021 Once Upon a Time in Poland
2023 Engi – Sound Designer Ivo Špalj
2024 Confrontation
2024 Happiness to All
2024 Putin's Playground
2024 Wishing on a Star
Sound:
2013 Czech Journal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.