Home

Guillaume Rocheron

Biography from TheMovieDB

Guillaume Rocheron is a French visual effects supervisor who was born in 1981 in Paris. He began his career in 2000 at the Paris-based BUF Compagnie, and after five years there, he got invited to work for the Moving Picture Company. He won the Academy Award during the 85th Academy Awards for the film Life of Pi in the category of Best Visual Effects. He shared his win with Donald R. Elliott, Erik-Jan de Boer, and Bill Westenhofer. In 2020, he received his second Academy Award nomination for Best Visual Effects and second win for the 2019 film, 1917, at the 92nd Academy Awards.  Description above from the Wikipedia article Guillaume Rocheron, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

CG Artist:
2007  Sunshine

Visual Effects Coordinator:
2007  Sunshine
2018  Fire Lily

Visual Effects Supervisor:
2007  Sunshine
2011  Fast Five
2012  Life of Pi
2014  Godzilla
2016  Batman v Superman: Dawn of Justice
2017  Ghost in the Shell
2018  Fire Lily
2019  1917
2019  Ad Astra
2019  Godzilla: King of the Monsters
2022  BARDO, False Chronicle of a Handful of Truths
2022  Nope
????  Whalefall

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.