A work in constant progress (and occasional regress).
Alias:
Almiro Viviani Fialho
Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil
Born:
November 4, 1918
Died:
November 16, 1992
Almiro Viviani Fialho (1918 — 1992), better known as Alex Viany, was a Brazilian director, producer, screenwriter, author, journalist and actor. He is the author of the book Introduction to Brazilian Cinema (1959), cited by Paulo Emílio Sales Gomes as the first work of Brazilian filmography. He also wrote The Cinema Novo Process. He debuted as a director in 1953, in the feature film "Agulha no Palheiro". In 1954, he directed "Rua sem Sol", which received the São Paulo State Governor's Award for best director, best actor for Carlos Alberto and best actress for Glauce Rocha (1930-1971). In 1955, he directed “Ana”, an episode of the feature film "A Rosa dos Ventos" (1954-1957), produced by the Communist Party of East Germany, organized by Dutch filmmaker Joris Ivens (1898-1989). In 1963, he directed "Sol sobre a Lama", shot in Bahia and under the influence of Cinema Novo. He made the last feature film of his career, only in 1978, with "A Noiva da Cidade". He directed the short films A Máquina e o Sonho (1974), Humberto Mauro: eu Coração Dou Bom (1979) and Maxixe, a Dança Perdida (1980).
Assistant Director:
1953 O Saci
Director:
1953 Needle in a Haystack
1953 O Saci
1954 Rua sem Sol
1955 Ana
1957 The Wind Rose
1963 Sol Sobre a Lama
1974 O Sonho e a Máquina
1977 Entrevista de Humberto Mauro a David Neves e Alex Viany
1978 A Noiva da Cidade
1979 Humberto Mauro: Eu Coração Dou Bom
1980 Maxixe - A Dança Perdida
Editor:
1953 Needle in a Haystack
1953 O Saci
1954 Rua sem Sol
1955 Ana
1957 The Wind Rose
1963 Sol Sobre a Lama
1974 O Sonho e a Máquina
1977 Entrevista de Humberto Mauro a David Neves e Alex Viany
1978 A Noiva da Cidade
1979 Humberto Mauro: Eu Coração Dou Bom
1980 Maxixe - A Dança Perdida
Producer:
1953 Needle in a Haystack
1953 O Saci
1954 Rua sem Sol
1955 Ana
1957 The Wind Rose
1963 Sol Sobre a Lama
1974 O Sonho e a Máquina
1977 Entrevista de Humberto Mauro a David Neves e Alex Viany
1978 A Noiva da Cidade
1979 Humberto Mauro: Eu Coração Dou Bom
1980 Maxixe - A Dança Perdida
Screenplay:
1953 Needle in a Haystack
1953 O Saci
1954 Carnival in Caxias
1954 Rua sem Sol
1955 Ana
1957 The Wind Rose
1963 Sol Sobre a Lama
1970 Silvino Santos - O Fim de um Pioneiro
1974 O Sonho e a Máquina
1977 Entrevista de Humberto Mauro a David Neves e Alex Viany
1978 A Noiva da Cidade
1979 Humberto Mauro: Eu Coração Dou Bom
1980 Maxixe - A Dança Perdida
Writer:
1953 Needle in a Haystack
1953 O Saci
1954 Carnival in Caxias
1954 Rua sem Sol
1955 Ana
1957 The Wind Rose
1963 Sol Sobre a Lama
1970 Silvino Santos - O Fim de um Pioneiro
1974 O Sonho e a Máquina
1977 Entrevista de Humberto Mauro a David Neves e Alex Viany
1978 A Noiva da Cidade
1979 Humberto Mauro: Eu Coração Dou Bom
1980 Maxixe - A Dança Perdida
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.