A work in constant progress (and occasional regress).
After studying art history, Alice Douard joined the directing department of La Fémis. Her graduation film, Extrasystole, was bought by Arte and selected for a number of festivals, including Clermont-Ferrand, Angers and Pantin. She went on to make two other shorts, Les Filles (Girls) and Plein Ouest, exploring themes close to her heart: femininity, the search for an identity within a group, and family relationships. In 2017, Arte commissioned her to direct a one-off entitled Robin. In 2022, she set up Les Films de June with Marie Boitard and directed her fourth short film, L’Attente. She is currently working on her first feature film, Des preuves d'amour, with Apsara Films. Alice Douard also works as a script supervisor on short and feature films.
Director:
2013 Extrasystole
2013 Tenir la nuit
2015 The Girls
2017 Robin
2019 Due West
2019 French Touch: Girls on Fire
2022 Expecting
2024 Upon Her Lips: Hold Me Tight
2025 Love Letters
Executive Producer:
2013 Extrasystole
2013 Tenir la nuit
2015 The Girls
2017 Robin
2019 Due West
2019 French Touch: Girls on Fire
2022 Expecting
2024 Upon Her Lips: Hold Me Tight
2025 Love Letters
First Assistant Director:
2013 Extrasystole
2013 Tenir la nuit
2015 The Girls
2016 Herculanum
2017 Robin
2019 Due West
2019 French Touch: Girls on Fire
2022 Expecting
2024 Upon Her Lips: Hold Me Tight
2025 Love Letters
Script:
2013 Extrasystole
2013 Tenir la nuit
2015 The Girls
2016 Herculanum
2017 Robin
2019 Due West
2019 French Touch: Girls on Fire
2022 Expecting
2022 La Vie
2024 Changing Rooms
2024 Upon Her Lips: Hold Me Tight
2025 Love Letters
Script Supervisor:
2013 Extrasystole
2013 Tenir la nuit
2015 The Girls
2016 Herculanum
2017 Robin
2019 Due West
2019 French Touch: Girls on Fire
2022 Expecting
2022 La Vie
2024 Changing Rooms
2024 Two People Exchanging Saliva
2024 Upon Her Lips: Hold Me Tight
2025 Love Letters
Writer:
2013 Extrasystole
2013 Tenir la nuit
2015 The Girls
2016 Herculanum
2017 Robin
2019 Due West
2019 French Touch: Girls on Fire
2022 Expecting
2022 La Vie
2024 Changing Rooms
2024 Two People Exchanging Saliva
2024 Upon Her Lips: Hold Me Tight
2025 Love Letters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.