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Arthur St. Claire

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Film Performances

Click the heading above to show or hide the list.

Film Production

Adaptation:
1942  The Yanks Are Coming

Dialogue:
1942  The Yanks Are Coming
1944  Sweethearts of the U.S.A.
1946  Queen of Burlesque

Screenplay:
1940  Boss of Bullion City
1942  A Yank in Libya
1942  The Dawn Express
1942  The Yanks Are Coming
1943  A Night for Crime
1943  Tiger Fangs
1944  Delinquent Daughters
1944  Sweethearts of the U.S.A.
1945  Secrets of a Sorority Girl
1946  Queen of Burlesque
1946  The Mask of Diijon
1947  The Prairie
1949  Rimfire

Story:
1940  Boss of Bullion City
1940  Secrets of a Model
1942  A Yank in Libya
1942  Miss V from Moscow
1942  Stagecoach Buckaroo
1942  The Dawn Express
1942  The Yanks Are Coming
1943  A Night for Crime
1943  Tiger Fangs
1944  Delinquent Daughters
1944  Sweethearts of the U.S.A.
1945  Secrets of a Sorority Girl
1946  Gunman's Code
1946  Queen of Burlesque
1946  The Mask of Diijon
1947  The Prairie
1949  Rimfire

Writer:
1940  Boss of Bullion City
1940  Secrets of a Model
1942  A Yank in Libya
1942  Along the Sundown Trail
1942  King of the Stallions
1942  Miss V from Moscow
1942  Stagecoach Buckaroo
1942  The Dawn Express
1942  The Yanks Are Coming
1943  A Night for Crime
1943  Man of Courage
1943  Submarine Base
1943  Tiger Fangs
1944  Delinquent Daughters
1944  Sweethearts of the U.S.A.
1945  Arson Squad
1945  Secrets of a Sorority Girl
1945  Shadow Of Terror
1946  Gunman's Code
1946  Queen of Burlesque
1946  The Mask of Diijon
1947  Philo Vance's Gamble
1947  The Prairie
1949  Rimfire

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.