A work in constant progress (and occasional regress).
Zachary Epcar is a filmmaker whose work has screened at the New York Film Festival, Toronto International Film Festival, International Film Festival Rotterdam, Museum of Contemporary Art Chicago, Pacific Film Archive and elsewhere.
Camera Operator:
2016 Return to Forms
Director:
2009 The Salariat in Parts
2010 A Time Shared Unlimited
2014 Under the Heat Lamp an Opening
2015 Night Swells
2016 Return to Forms
2019 Billy
2019 Life After Love
2021 The Canyon
2024 Sinking Feeling
Editor:
2009 The Salariat in Parts
2010 A Time Shared Unlimited
2014 Under the Heat Lamp an Opening
2015 Night Swells
2016 Return to Forms
2019 Billy
2019 Life After Love
2021 The Canyon
2024 Sinking Feeling
Screenplay:
2009 The Salariat in Parts
2010 A Time Shared Unlimited
2014 Under the Heat Lamp an Opening
2015 Night Swells
2016 Return to Forms
2019 Billy
2019 Life After Love
2021 The Canyon
2024 Sinking Feeling
Writer:
2009 The Salariat in Parts
2010 A Time Shared Unlimited
2014 Under the Heat Lamp an Opening
2015 Night Swells
2016 Return to Forms
2019 Billy
2019 Life After Love
2021 The Canyon
2024 Sinking Feeling
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.