A work in constant progress (and occasional regress).
Director of Photography:
2001 Ice Cream, Chocolate and Other Consolations
2004 Premier juillet, le film
2010 Silence Lies
2010 Unlikely Treasures
2011 The High Cost of Living
2011 The Year Dolly Parton Was My Mom
2012 Liverpool
2014 What Are We Doing Here?
2016 1:54
2016 9
2016 L'odeur après la pluie
2016 Stealing Alice
2017 La ferme et son état
2018 Happy Face
2018 The Lure of the Deep
2019 Aimé
2020 The Fence
2021 Best Sellers
2021 Résonance
2023 Testament
First Assistant Camera:
2000 Someone Is Watching
2001 Ice Cream, Chocolate and Other Consolations
2004 Premier juillet, le film
2010 Silence Lies
2010 Unlikely Treasures
2011 The High Cost of Living
2011 The Year Dolly Parton Was My Mom
2012 Liverpool
2014 What Are We Doing Here?
2016 1:54
2016 9
2016 L'odeur après la pluie
2016 Stealing Alice
2017 La ferme et son état
2018 Happy Face
2018 The Lure of the Deep
2019 Aimé
2020 The Fence
2021 Best Sellers
2021 Résonance
2023 Testament
Additional Photography:
2014 Fargo
Director of Photography:
2012 Tu m'aimes-tu?
2014 Fargo
2017 The Disappearance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.