A work in constant progress (and occasional regress).
Birthplace:
Amman, Jordan
Born:
April 2, 1959
Mai Masri is a Palestinian filmmaker who was born in Amman. She founded Nour Productions with her late husband, Jean Chamoun, and directed and produced over 18 films, which were screened worldwide and won over 90 awards. Masri is a member of the Academy of Motion Picture Arts and Sciences. She is internationally known for her documentary work. Her solo directorial journey began with the film “Children of Fire” (1990) and continued to include films like “Hanan Ashrawi: Woman for Her Time” (1995), “Children of Shatila” (1998), “Frontiers of Dreams and Fears” (2001), “Beirut Diaries” (2006), “33 Days” (2007). Her latest film was released in 2021 “Beirut: Eye of the Storm”. Her debut feature film “3000 Nights” premiered at Toronto International Film Festival and represented Jordan at the Academy Awards for Foreign Language Film (2015). Masri co-directed with her late husband filmmaker, Jean Chamoun : “Under the Rubble” (1983), “Wild Flowers” (1986), “War Generation – Beirut” (1988), “Suspended Dreams” (1992), and produced: “In the Shadows of the City” (2000), “Hostage of Time” (1994), “Women Beyond Borders” (2004), “Yearning of the Laurel” (2007), and “Lanterns of Memory” (2009).
Director:
1983 Under the Rubble
1986 War Generation
1987 Wild Flowers: Women of South Lebanon
1991 Children of Fire
1992 Suspended Dreams
1995 Hanan Ashrawi: A Woman of Her Time
1998 Children of Shatila
1998 The Arab Dream
2001 Frontiers of Dreams and Fears
2006 Beirut Diaries: Truth, Lies and Videos
2007 33 Days
2009 Lanterns of Memory
2015 3000 Nights
2021 Beirut: Eye of the Storm
Executive Producer:
1983 Under the Rubble
1986 War Generation
1987 Wild Flowers: Women of South Lebanon
1991 Children of Fire
1992 Suspended Dreams
1995 Hanan Ashrawi: A Woman of Her Time
1998 Children of Shatila
1998 The Arab Dream
2001 Frontiers of Dreams and Fears
2003 Women Beyond Borders
2006 Beirut Diaries: Truth, Lies and Videos
2007 33 Days
2009 Lanterns of Memory
2015 3000 Nights
2021 Beirut: Eye of the Storm
Producer:
1983 Under the Rubble
1986 War Generation
1987 Wild Flowers: Women of South Lebanon
1991 Children of Fire
1992 Suspended Dreams
1994 Hostage of Time
1995 Hanan Ashrawi: A Woman of Her Time
1998 Children of Shatila
1998 The Arab Dream
2001 Frontiers of Dreams and Fears
2003 Women Beyond Borders
2006 Beirut Diaries: Truth, Lies and Videos
2007 33 Days
2009 Lanterns of Memory
2015 3000 Nights
2021 Beirut: Eye of the Storm
Screenplay:
1983 Under the Rubble
1986 War Generation
1987 Wild Flowers: Women of South Lebanon
1991 Children of Fire
1992 Suspended Dreams
1994 Hostage of Time
1995 Hanan Ashrawi: A Woman of Her Time
1998 Children of Shatila
1998 The Arab Dream
2001 Frontiers of Dreams and Fears
2003 Women Beyond Borders
2006 Beirut Diaries: Truth, Lies and Videos
2007 33 Days
2009 Lanterns of Memory
2015 3000 Nights
2021 Beirut: Eye of the Storm
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.