A work in constant progress (and occasional regress).
Alias:
Abdel Halim Hafez
The Nightgale
العندليب
العندليب الأسمر
عبد الحليم حافظ
عبد الحليم علي إسماعيل شبانة
Birthplace:
Al-Helwat, Al-Sharkia, Egypt
Born:
June 21, 1929
Died:
March 30, 1977
Born Abdel Halim Shabaana (عبد الحليم شبانة) in al-Halawaat, Sharkeyya (Delta of Egypt), graduated from the Higher institute of Arabic Music - Composing Department in 1948. For four years, he taught music for school children in Tanta, Zagazeeg and finally Cairo. In 1959, he resigned and joined the Cairo Radio Orchestra as an oboe player. His first radio broadcast song was “Lekaa". His first appearance on the silver screen was in “Lahn Al-Wafaa”. Abdul Haleem joined “Sawt al-Fann” production company, with the world famous composer Abdul Wahhaab and director of photography Waheed Fareed, which produced a great number of films and audio works. His acting was characterized with simplicity and spontaneity. Haleem did not only sing in Egypt, but also in all of the Arab countries and some European countries. Almost all of the composers of the Arab world composed the music of his songs. His patriotic songs outnumbered 300 songs and poems. All the Arab audiences still remember some of his famous scenes on the silver screen. Abdel Halim never married, yet rumors say that he was married to superstar Soaad Hosny.
Producer:
1956 Dalila
1974 My Story With Time
Songs:
1955 Days and Nights
1956 Dalila
1959 Love Story
1960 The Girls in Summer
1974 My Story With Time
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.