A work in constant progress (and occasional regress).
Camera Operator:
2010 Songs of War: Music as a Weapon
2017 Insekten, Superhelden auf sechs Beinen
2022 Cryptoqueen: The OneCoin Scam
2022 The Queen and Her Prime Ministers
Cinematography:
2010 Songs of War: Music as a Weapon
2017 Insekten, Superhelden auf sechs Beinen
2020 Der vergessene Tempel von Banteay Chhmar
2022 Cryptoqueen: The OneCoin Scam
2022 The Queen and Her Prime Ministers
Color Grading:
2010 Songs of War: Music as a Weapon
2017 Insekten, Superhelden auf sechs Beinen
2020 Der vergessene Tempel von Banteay Chhmar
2022 Cryptoqueen: The OneCoin Scam
2022 The Queen and Her Prime Ministers
2023 Die Rückkehr der Sextouristen: Deutsche Männer in Pattaya
Director of Photography:
2008 Günter Wallraff Undercover: Wo Arbeit weh tut
2010 Songs of War: Music as a Weapon
2017 Insekten, Superhelden auf sechs Beinen
2020 Der vergessene Tempel von Banteay Chhmar
2022 Cryptoqueen: The OneCoin Scam
2022 The Queen and Her Prime Ministers
2023 Die Rückkehr der Sextouristen: Deutsche Männer in Pattaya
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.