A work in constant progress (and occasional regress).
Birthplace:
Beckenried, Switzerland
Born:
October 1, 1940
Director:
1965 Balance
1965 Pazifik - oder die Zufriedenen.
1966 Bernhard Luginbühl
1966 Chicorée
1967 Centre Le Corbusier - Das letzte Bauwerk von Le Corbusier
1967 High and Heimkiller
1969 Sad-Is-Fiction
1969 Swissmade
1969 Vision of a Blind Man
1972 Passagen
1973 Christopher & Alexander
1974 We Who Dwell in the Mountains Cannot Be Blamed for Being There
1979 Zones
1982 A New Face of Debbie Harry by H.R. Giger
1985 Alpine Fire
1991 Die verborgene Fiktion im Dokumentarfilm
1991 The Green Mountain
1998 Full Moon
2004 Downtown Switzerland
2006 Vitus
2014 Liebe und Zufall
???? Sylvan
Director of Photography:
1965 Balance
1965 Pazifik - oder die Zufriedenen.
1966 Bernhard Luginbühl
1966 Chicorée
1967 Centre Le Corbusier - Das letzte Bauwerk von Le Corbusier
1967 High and Heimkiller
1969 Sad-Is-Fiction
1969 Swissmade
1969 Vision of a Blind Man
1972 Passagen
1973 Christopher & Alexander
1974 We Who Dwell in the Mountains Cannot Be Blamed for Being There
1979 Zones
1982 A New Face of Debbie Harry by H.R. Giger
1985 Alpine Fire
1991 Die verborgene Fiktion im Dokumentarfilm
1991 The Green Mountain
1998 Full Moon
2004 Downtown Switzerland
2006 Vitus
2014 Liebe und Zufall
???? Sylvan
Editor:
1965 Balance
1965 Pazifik - oder die Zufriedenen.
1966 Bernhard Luginbühl
1966 Chicorée
1967 Centre Le Corbusier - Das letzte Bauwerk von Le Corbusier
1967 High and Heimkiller
1969 Sad-Is-Fiction
1969 Swissmade
1969 Vision of a Blind Man
1972 Passagen
1973 Christopher & Alexander
1974 We Who Dwell in the Mountains Cannot Be Blamed for Being There
1979 Zones
1981 Max Frisch, Journal I-III
1982 A New Face of Debbie Harry by H.R. Giger
1985 Alpine Fire
1991 Die verborgene Fiktion im Dokumentarfilm
1991 The Green Mountain
1998 Full Moon
2004 Downtown Switzerland
2006 Vitus
2014 Liebe und Zufall
???? Sylvan
Producer:
1965 Balance
1965 Pazifik - oder die Zufriedenen.
1966 Bernhard Luginbühl
1966 Chicorée
1967 Centre Le Corbusier - Das letzte Bauwerk von Le Corbusier
1967 High and Heimkiller
1969 Sad-Is-Fiction
1969 Swissmade
1969 Vision of a Blind Man
1972 Passagen
1973 Christopher & Alexander
1974 We Who Dwell in the Mountains Cannot Be Blamed for Being There
1979 Zones
1981 Max Frisch, Journal I-III
1982 A New Face of Debbie Harry by H.R. Giger
1985 Alpine Fire
1991 Die verborgene Fiktion im Dokumentarfilm
1991 The Green Mountain
1998 Full Moon
2004 Downtown Switzerland
2006 Vitus
2014 Liebe und Zufall
???? Sylvan
Screenplay:
1965 Balance
1965 Pazifik - oder die Zufriedenen.
1966 Bernhard Luginbühl
1966 Chicorée
1967 Centre Le Corbusier - Das letzte Bauwerk von Le Corbusier
1967 High and Heimkiller
1969 Sad-Is-Fiction
1969 Swissmade
1969 Vision of a Blind Man
1972 Passagen
1973 Christopher & Alexander
1974 We Who Dwell in the Mountains Cannot Be Blamed for Being There
1979 Zones
1981 Max Frisch, Journal I-III
1982 A New Face of Debbie Harry by H.R. Giger
1985 Alpine Fire
1991 Die verborgene Fiktion im Dokumentarfilm
1991 The Green Mountain
1998 Full Moon
2004 Downtown Switzerland
2006 Vitus
2014 Liebe und Zufall
???? Sylvan
Writer:
1965 Balance
1965 Pazifik - oder die Zufriedenen.
1966 Bernhard Luginbühl
1966 Chicorée
1967 Centre Le Corbusier - Das letzte Bauwerk von Le Corbusier
1967 High and Heimkiller
1969 Sad-Is-Fiction
1969 Swissmade
1969 Vision of a Blind Man
1972 Passagen
1973 Christopher & Alexander
1974 We Who Dwell in the Mountains Cannot Be Blamed for Being There
1979 Zones
1981 Max Frisch, Journal I-III
1982 A New Face of Debbie Harry by H.R. Giger
1985 Alpine Fire
1991 Die verborgene Fiktion im Dokumentarfilm
1991 The Green Mountain
1998 Full Moon
2004 Downtown Switzerland
2006 Vitus
2014 Liebe und Zufall
???? Sylvan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.