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Jean-Baptiste Mondino (b. 1949)

Birthplace:
Aubervilliers, Seine [now Seine-Saint-Denis], France

Born:
July 21, 1949

Biography from TheMovieDB

Jean-Baptiste Mondino (born Aubervilliers, France on 21 July 1949) is a French fashion photographer and music video director. He has directed music videos for Madonna, David Bowie, Sting, Björk, Don Henley, Neneh Cherry, Axel Bauer and Les Rita Mitsouko. Mondino has also photographed the covers and album packaging for the Marianne Faithfull albums Before The Poison (2005) and Easy Come, Easy Go (2008), Shakespear's Sister's Hormonally Yours (1992), Alain Bashung's Osez Joséphine (1991), Chatterton (1994), Mylène Farmer's Désobéissance (2018), J.'s We Are the Majority (1992) and Prince's Lovesexy (1988). He also designed the titles for the Anglo-French TV music show Rapido.  The video for Don Henley's "The Boys of Summer", which Mondino directed, swept the MTV Video Music Awards in 1985, winning "Best Video", "Best Direction", "Best Art Direction" and "Best Cinematography". This video paired him with compatriot cinematographer, Pascal Lebègue, with whom he would later shoot several other notable music videos in black and white, such as "Russians" for Sting and "Justify My Love" for Madonna.  Source: Article "Jean-Baptiste Mondino" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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Film Performances

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Film Production

Director:
1990  Madonna: The Immaculate Collection
1990  Red Hot + Blue: A Tribute to Cole Porter
1991  The King of Ads
1998  Björk: Volumen
2006  Best of Chris Isaak

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TV Performances

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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