A work in constant progress (and occasional regress).
Alias:
Arakawa
荒川修作
Birthplace:
Nagoya, Japan
Born:
July 6, 1936
Died:
May 19, 2010
Arakawa (Shūsaku Arakawa; b. 1936, Nagoya, Aichi Prefecture, Japan – d. 2010, New York) was an artist and architect who had a personal and artistic partnership with Madeline Gins that spanned more than four decades. He was one of the founding members of the Japanese avant-garde art collective Neo Dadaism Organizers and exhibited at the Yomiuri Independent exhibition from 1958 to 1961, an annual watershed event for postwar Japanese art. Arakawa arrived in New York in the end of 1961 and quickly rose to fame as one of the earliest practitioners of the international conceptual art movement of the 1960s. He represented Japan in XXXV Venice Biennale (1970) and was included in Documenta IV (1968) and Documenta VI (1977). His work has been shown extensively around the world and is held by numerous museum collections world-wide, including the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Centre Georges Pompidou, Paris; and the National Museum of Modern Art, Tokyo.
Cinematography:
1971 For Example: A Critique of Never
Director:
1970 Why Not: A Serenade of Eschatological Ecology
1971 For Example: A Critique of Never
Writer:
1970 Why Not: A Serenade of Eschatological Ecology
1971 For Example: A Critique of Never
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.