A work in constant progress (and occasional regress).
Birthplace:
Halle an der Saale, Germany
Born:
February 4, 1940
Helga Reidemeister was one of the most renowned documentary film directors of her generation and was very active in education. Reidemeister initially studied free painting at the Hochschule für Bildende Künste in Berlin. She then worked as a social worker in the Märkisches Viertel in Berlin from 1968 to 1973, which had a great impact on her. There she met working-class women who did not feel properly represented in the documentaries she showed them. These women motivated her to study film herself. She made several films about working-class families and the role of women. Her work also focuses on Afghanistan and the city of Berlin. She has taught at the Baden-Württemberg Film Academy since 1994 and, as a senior lecturer, was instrumental in establishing the documentary film specialization. Helga Reidemeister has also lectured at numerous other universities in Germany and abroad.
Director:
1975 Lokomotive Kreuzberg
1977 The Bought Dream
1979 Is This Fate?
1980 Aufrecht gehen. Rudi Dutschke - Spuren
1982 Karola Bloch - Dann nimmt die Frau die Geschicke in die Hand
1983 Mit starrem Blick aufs Geld
1987 DrehOrt Berlin
1992 Rodina heißt Heimat
1997 Women in Black
1998 Lights from Afar
2001 Gotteszell – Ein Frauengefängnis
2004 Texas - Kabul
2009 Mein Herz sieht die Welt schwarz - Eine Liebe in Kabul
2015 Splitter Afghanistan
Editor:
1975 Lokomotive Kreuzberg
1977 The Bought Dream
1979 Is This Fate?
1980 Aufrecht gehen. Rudi Dutschke - Spuren
1982 Karola Bloch - Dann nimmt die Frau die Geschicke in die Hand
1983 Mit starrem Blick aufs Geld
1987 DrehOrt Berlin
1992 Rodina heißt Heimat
1997 Women in Black
1998 Lights from Afar
2001 Gotteszell – Ein Frauengefängnis
2004 Texas - Kabul
2009 Mein Herz sieht die Welt schwarz - Eine Liebe in Kabul
2015 Splitter Afghanistan
Producer:
1975 Lokomotive Kreuzberg
1977 The Bought Dream
1979 Is This Fate?
1980 Aufrecht gehen. Rudi Dutschke - Spuren
1982 Karola Bloch - Dann nimmt die Frau die Geschicke in die Hand
1983 Mit starrem Blick aufs Geld
1987 DrehOrt Berlin
1992 Rodina heißt Heimat
1997 Women in Black
1998 Lights from Afar
2001 Gotteszell – Ein Frauengefängnis
2004 Texas - Kabul
2009 Mein Herz sieht die Welt schwarz - Eine Liebe in Kabul
2015 Splitter Afghanistan
Still Photographer:
1975 Lokomotive Kreuzberg
1977 The Bought Dream
1979 Is This Fate?
1980 Aufrecht gehen. Rudi Dutschke - Spuren
1982 Karola Bloch - Dann nimmt die Frau die Geschicke in die Hand
1983 Mit starrem Blick aufs Geld
1987 DrehOrt Berlin
1992 Rodina heißt Heimat
1997 Women in Black
1998 Lights from Afar
2001 Gotteszell – Ein Frauengefängnis
2004 Texas - Kabul
2009 Mein Herz sieht die Welt schwarz - Eine Liebe in Kabul
2015 Splitter Afghanistan
Writer:
1973 The Wollands
1975 Lokomotive Kreuzberg
1977 The Bought Dream
1979 Is This Fate?
1980 Aufrecht gehen. Rudi Dutschke - Spuren
1982 Karola Bloch - Dann nimmt die Frau die Geschicke in die Hand
1983 Mit starrem Blick aufs Geld
1987 DrehOrt Berlin
1992 Rodina heißt Heimat
1997 Women in Black
1998 Lights from Afar
2001 Gotteszell – Ein Frauengefängnis
2004 Texas - Kabul
2009 Mein Herz sieht die Welt schwarz - Eine Liebe in Kabul
2015 Splitter Afghanistan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.