A work in constant progress (and occasional regress).
Alias:
줄리 대쉬
줄리 대시
Birthplace:
Long Island City, New York, USA
Born:
October 22, 1962
Julie Ethel Dash (born October 22, 1952) is an American film director, writer and producer. Dash received her MFA in 1985 at the UCLA Film School and is one of the graduates and filmmakers known as the L.A. Rebellion. The L.A. Rebellion refers to the first African and African-American students who studied film at UCLA. After she had written and directed several shorts, her 1991 feature Daughters of the Dust became the first full-length film directed by an African-American woman to obtain general theatrical release in the United States. Daughters of the Dust was named one of the most significant films of the last 30 years, by IndieWire. Dash has worked in television since the late 1990s. Her television movies include Funny Valentines (1999), Incognito (1999), Love Song (2000), and The Rosa Parks Story (2002), starring Angela Bassett. The National Underground Railroad Freedom Center commissioned Dash to direct Brothers of the Borderland in 2004, as an immersive film exhibit narrated by Oprah Winfrey following the path of women gaining freedom on the Underground Railroad. In 2017, Dash directed episodes of Queen Sugar on the Oprah Winfrey Network.
Assistant Director:
1983 My Brother's Wedding
Cinematography:
1975 Four Women
1983 My Brother's Wedding
Director:
1975 Four Women
1977 Diary of an African Nun
1982 Illusions
1983 My Brother's Wedding
1989 Relatives
1991 Daughters of the Dust
1991 Praise House
1997 Subway Stories
1999 Funny Valentines
1999 Incognito
2000 Love Song
2002 The Rosa Parks Story
2016 Standing at the Scratch Line
2017 Travel Notes of a Geechee Girl
2023 Seeking: Mapping Our Gullah Geechee Story
Editor:
1975 Four Women
1977 Diary of an African Nun
1982 Illusions
1983 My Brother's Wedding
1989 Relatives
1991 Daughters of the Dust
1991 Praise House
1997 Subway Stories
1999 Funny Valentines
1999 Incognito
2000 Love Song
2002 The Rosa Parks Story
2016 Standing at the Scratch Line
2017 Travel Notes of a Geechee Girl
2023 Seeking: Mapping Our Gullah Geechee Story
Producer:
1975 Four Women
1977 Diary of an African Nun
1982 Illusions
1983 My Brother's Wedding
1989 Relatives
1991 Daughters of the Dust
1991 Praise House
1997 Subway Stories
1999 Funny Valentines
1999 Incognito
2000 Love Song
2002 The Rosa Parks Story
2016 Standing at the Scratch Line
2017 Travel Notes of a Geechee Girl
2023 Seeking: Mapping Our Gullah Geechee Story
Writer:
1975 Four Women
1977 Diary of an African Nun
1982 Illusions
1983 My Brother's Wedding
1989 Relatives
1991 Daughters of the Dust
1991 Praise House
1997 Subway Stories
1999 Funny Valentines
1999 Incognito
2000 Love Song
2002 The Rosa Parks Story
2016 Standing at the Scratch Line
2017 Travel Notes of a Geechee Girl
2023 Seeking: Mapping Our Gullah Geechee Story
Director:
2016 Queen Sugar
Writer:
1996 Women: Stories of Passion
2016 Queen Sugar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.