A work in constant progress (and occasional regress).
Alias:
Céline Martin
She often works together with Martin Guyot under the pseudonym “Céline Martin”.
Dialogue:
1999 The Girl of My Dreams
Director:
1999 The Girl of My Dreams
2017 La Loi de Pauline, mauvaise Graine
Screenplay:
1999 The Girl of My Dreams
2017 La Loi de Pauline, mauvaise Graine
2024 À qui profite le doute ?
Story:
1999 The Girl of My Dreams
2016 La Loi de Simon - Des hommes en noir
2017 La Loi de Pauline, mauvaise Graine
2024 À qui profite le doute ?
Writer:
1998 Enquête d'échanges
1999 Charm radio
1999 The Girl of My Dreams
2000 Le coup du lapin
2000 Sexy Dancing
2001 Drôles de jeux
2001 Hazardous Trio
2001 Spellbound
2001 The Seventh Door
2002 Dilemme charnel
2002 L'Héritière
2002 Naughty Léa
2002 The Last Girl
2002 Women's Affairs
2003 Delphine, or Simple Pleasures
2003 Golden Girl
2003 Il court, il court, le furet...
2003 Manuela ou l'impossible plaisir
2003 Treacherous Alliance
2004 Blandine, or the New War of the Sexes
2004 Delphine or a Disturbing Memory
2005 Forbidden Pleasures
2011 Demain, je me marie
2014 Ça va passer... mais quand ?
2016 La Loi de Simon - Des hommes en noir
2017 La Loi de Pauline, mauvaise Graine
2018 A Baby for Christmas
2018 La Loi de Marion, insécurité rapprochée
2018 LaLloi de Valerie, tous coupables
2018 Murder in Aquitaine
2023 La Malédiction du lys
2024 À qui profite le doute ?
Creator:
2007 Suspectes
2014 La Loi de Barbara
2014 Pep's
Writer:
2000 Ladies of the Law
2007 L'Hôpital
2007 Suspectes
2012 La smala s'en mêle
2013 Mongeville
2014 La Loi de Barbara
2014 Pep's
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.