A work in constant progress (and occasional regress).
Birthplace:
Cannes, France
Born:
August 9, 1943
Michèle Bokanowski (August 9, 1943, Cannes, France) is a French Paris-based electroacoustic music composer. After a classical education in harmony, she met Michel Puig, a student of René Leibowitz, who taught her composition and analysis according to Schönbergian principles. In September 1970, she began a two year course at the "Service de la recherche de l’ORTF" (ORTF Research Department) under the direction of Pierre Schaeffer. At the same time, she participated in a sound synthesis research group, studied computer music at the Faculté de Vincennes as well as electronic music with Eliane Radigue. Between 1972 and 1984, she composed essentially for the concert ["Korè" for one pianist, "Trois chambres d’inquiétude", "Tabou"], and for film [mostly for Patrick Bokanowski]. Since 1985, she has also composed for television, theatre [with Catherine Dasté], and for dance [with choreographers Hideyuki Yano, Marceline Lartigue and Bernardo Montet].
Director:
2004 Fenêtres
Music:
1972 The Woman Who Powders Herself
1974 Breakfast
1977 A Creator of the Imaginary: Patrick Bokanowski - Short Film
1982 The Angel
1989 Solo
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2004 Fenêtres
2008 Solar Beats
2017 Patrick Bokanowski : visite à l'atelier
2018 Soar
2019 The Doll's Breath
Original Music Composer:
1972 The Woman Who Powders Herself
1974 Breakfast
1977 A Creator of the Imaginary: Patrick Bokanowski - Short Film
1982 The Angel
1989 Solo
1992 The Beach
1994 By the Lake
1998 Flammes
2002 Le Canard à l'orange
2004 Fenêtres
2008 Solar Beats
2014 Un rêve
2016 A Solar Dream
2017 Patrick Bokanowski : visite à l'atelier
2018 L'indomptable
2018 Soar
2019 The Doll's Breath
2021 Hum Drum
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.