A work in constant progress (and occasional regress).
Director of Photography:
2007 Xiao Jia Going Home
2015 K
Editor:
2007 Xiao Jia Going Home
2011 Mr. Tree
2012 The First Aggregate
2013 A Touch of Sin
2013 Longing for the Rain
2015 K
2015 Mountains May Depart
2016 Kindil
2016 The Hedonists
2016 The Road to Mandalay
2017 Dragonfly Eyes
2017 Life After Life
2017 Love Education
2017 Revive
2017 The Poets
2018 Ash Is Purest White
2018 The Crossing
2019 Lhamo and Skalbe
2019 Mosaic Portrait
2019 Nina Wu
2019 The Sound of Dali
2019 The Wild Goose Lake
2021 After the Rain
2022 Before Next Spring
2022 The Great Basin
2023 Only the River Flows
2023 Ripples of Life
2023 The Best is Yet to Come
2023 The Last Queen
2023 The Soiled Doves of Tijuana
2023 The Sunny Side of the Street
2023 Where the Wind Blows
2024 A Long Shot
2024 A Song Sung Blue
2024 Caught by the Tides
2024 Meeting with Pol Pot
2024 Morrison
2024 The Beast Within
2024 Village Music
2025 Bound in Heaven
2025 I Dreamed a Dream
2025 Spirit World
2025 The Wolf, the Fox, and the Leopard
2025 Transamazonia
???? Nervures
???? Sang craché des lèvres belles
Editorial Consultant:
2007 Xiao Jia Going Home
2011 Mr. Tree
2012 The First Aggregate
2013 A Touch of Sin
2013 Longing for the Rain
2015 K
2015 Mountains May Depart
2016 Kindil
2016 The Hedonists
2016 The Road to Mandalay
2017 Dragonfly Eyes
2017 Life After Life
2017 Love Education
2017 Revive
2017 The Poets
2018 Ash Is Purest White
2018 The Crossing
2019 Lhamo and Skalbe
2019 Mosaic Portrait
2019 Nina Wu
2019 The Sound of Dali
2019 The Wild Goose Lake
2021 After the Rain
2022 Before Next Spring
2022 The Great Basin
2023 Only the River Flows
2023 Ripples of Life
2023 The Best is Yet to Come
2023 The Last Queen
2023 The Soiled Doves of Tijuana
2023 The Sunny Side of the Street
2023 Where the Wind Blows
2024 A Long Shot
2024 A Song Sung Blue
2024 Black Dog
2024 Caught by the Tides
2024 Meeting with Pol Pot
2024 Morrison
2024 The Beast Within
2024 Village Music
2025 Bound in Heaven
2025 I Dreamed a Dream
2025 Spirit World
2025 The Wolf, the Fox, and the Leopard
2025 Transamazonia
???? Nervures
???? Sang craché des lèvres belles
Editorial Manager:
2007 Xiao Jia Going Home
2011 Mr. Tree
2012 The First Aggregate
2013 A Touch of Sin
2013 Longing for the Rain
2015 K
2015 Mountains May Depart
2016 Kindil
2016 The Hedonists
2016 The Road to Mandalay
2017 Dragonfly Eyes
2017 Life After Life
2017 Love Education
2017 Revive
2017 The Poets
2018 Ash Is Purest White
2018 The Crossing
2019 Lhamo and Skalbe
2019 Mosaic Portrait
2019 Nina Wu
2019 The Sound of Dali
2019 The Wild Goose Lake
2021 After the Rain
2021 Fire on the Plain
2022 Before Next Spring
2022 The Great Basin
2023 Only the River Flows
2023 Ripples of Life
2023 The Best is Yet to Come
2023 The Last Queen
2023 The Soiled Doves of Tijuana
2023 The Sunny Side of the Street
2023 Where the Wind Blows
2024 A Long Shot
2024 A Song Sung Blue
2024 Black Dog
2024 Caught by the Tides
2024 Meeting with Pol Pot
2024 Morrison
2024 The Beast Within
2024 Village Music
2025 Bound in Heaven
2025 I Dreamed a Dream
2025 Spirit World
2025 The Wolf, the Fox, and the Leopard
2025 Transamazonia
???? Nervures
???? Sang craché des lèvres belles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.