A work in constant progress (and occasional regress).
Alias:
Abraham Hosseinoff
Робер Оссейн
Birthplace:
Paris, France
Born:
December 30, 1927
Died:
December 31, 2020
Robert Hossein was a French film actor of Parsi origin, director and writer. He directed the 1982 adaption of Les Misérables, and appeared in Vice and Virtue, Le Casse, Les Uns et les Autres and Venus Beauty Institute. His most recent roles include starring as Michèle Mercier's husband in the Angélique series and as a Catholic priest who falls in love with Claude Jade and becomes a communist in Prêtres interdits (Forbidden Priests) in 1973. Hossein started directing films in 1956 with Les salauds vont en enfer from a story by Frédéric Dard whose novels and plays went on to furnish Hossein with much of his later film material. Right from the start Hossein established his characteristic trademarks: using a seemingly straightforward suspense plot and subverting its conventions (sometimes to the extent of a complete disregard of the traditional demand for a final twist or revelation) in order to concentrate on ritualistic relationships. This is the director's running preoccupation which is always stressed in his films by an extraordinary command of film space and often striking frame compositions where the geometry of human figures and set design is used to accentuate the psychological set-up of the scene. The mechanisms of guilt and the way it destroys relationships is another recurring theme, presumably influenced by Hossein's lifelong interest in the works of Dostoyevski. Although Hossein had some modest international successes with films like Toi, le venin and Le vampire de Dusseldorf, he was much singled out for scorching criticism by the critics and followers of the New Wave for the unashamedly melodramatic frameworks of his films. The fact that he was essentially an auteur director with a consistent set of themes and an extraordinary mastery of original and unusual approaches to staging his stories, was never appreciated. He was not averse to trying his hand at widely different genres and was never defeated, making the strikingly different spaghetti western Une corde, un Colt and the low-budgeted but daringly subversive period drama J'ai tué Raspoutine. However, because of the lack of wider success and continuing adverse criticism, Hossein virtually ended his film directing career in 1970, having concentrated on theatre where his achievements were never questioned, and subsequently returning to film directing only twice. With two or three exceptions, his films remain commercially unavailable and very difficult to see. He is the son of André Hossein a Zoroastrian French composer of Azerbaijani-Tajik descent, and a Jewish comedy actress from Kiev. He was married three times: first to Marina Vlady (he has two sons with her, Pierre and Igor), later to Caroline Eliacheff (with whom he has a son, Nicholas). He is currently married to actress Candice Patou, with whom he has one son, Julien. According to an article written by Emannuel Peze, Hossein experienced a conversion to Catholicism in 1971 during a visit to the Marian apparition at San Damiano in Lombardo Italy. Description above from the Wikipedia article Robert Hossein, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Adaptation:
1964 Death of a Killer
Art Direction:
1964 Death of a Killer
2003 Antigone
Co-Producer:
1963 In the Midst of Life
1964 Death of a Killer
2003 Antigone
Dialogue:
1961 The Taste of Violence
1963 In the Midst of Life
1964 Death of a Killer
2003 Antigone
Director:
1955 The Wicked Go to Hell
1956 Forgive Our Trespasses
1959 Blonde in a White Car
1959 Double Agents
1960 The Wretches
1961 The Game of Truth
1961 The Taste of Violence
1963 In the Midst of Life
1964 Death of a Killer
1964 Marked Eyes
1965 The Vampire of Dusseldorf
1967 I Killed Rasputin
1969 Cemetery Without Crosses
1970 Falling Point
1982 Les Misérables
1986 Le Caviar rouge
1990 Cyrano de Bergerac
2003 Antigone
Screenplay:
1955 The Wicked Go to Hell
1956 Forgive Our Trespasses
1959 Blonde in a White Car
1959 Double Agents
1960 The Wretches
1961 The Game of Truth
1961 The Taste of Violence
1963 In the Midst of Life
1964 Death of a Killer
1964 Marked Eyes
1965 The Vampire of Dusseldorf
1967 I Killed Rasputin
1969 Cemetery Without Crosses
1970 Falling Point
1982 Les Misérables
1986 Le Caviar rouge
1990 Cyrano de Bergerac
2003 Antigone
Stage Director:
1955 The Wicked Go to Hell
1956 Forgive Our Trespasses
1959 Blonde in a White Car
1959 Double Agents
1960 The Wretches
1961 The Game of Truth
1961 The Taste of Violence
1963 In the Midst of Life
1964 Death of a Killer
1964 Marked Eyes
1965 The Vampire of Dusseldorf
1967 I Killed Rasputin
1969 Cemetery Without Crosses
1970 Falling Point
1975 Hernani
1982 Les Misérables
1986 Le Caviar rouge
1988 Kean
1990 Cyrano de Bergerac
2003 Antigone
2011 Une femme nommée Marie
Story:
1955 The Wicked Go to Hell
1956 Forgive Our Trespasses
1959 Blonde in a White Car
1959 Double Agents
1960 The Wretches
1961 The Game of Truth
1961 The Taste of Violence
1963 In the Midst of Life
1964 Death of a Killer
1964 Marked Eyes
1965 The Vampire of Dusseldorf
1967 I Killed Rasputin
1969 Cemetery Without Crosses
1970 Falling Point
1975 Hernani
1982 Les Misérables
1986 Le Caviar rouge
1988 Kean
1990 Cyrano de Bergerac
2003 Antigone
2011 Une femme nommée Marie
Writer:
1955 The Wicked Go to Hell
1956 Forgive Our Trespasses
1959 Blonde in a White Car
1959 Double Agents
1959 The Verdict
1960 The Wretches
1961 The Game of Truth
1961 The Taste of Violence
1963 In the Midst of Life
1964 Death of a Killer
1964 Marked Eyes
1965 The Vampire of Dusseldorf
1967 I Killed Rasputin
1969 Cemetery Without Crosses
1970 Falling Point
1975 Hernani
1982 Les Misérables
1986 Le Caviar rouge
1988 Kean
1990 Cyrano de Bergerac
2003 Antigone
2011 Une femme nommée Marie
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.