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Alexander Stewart

Biography from TheMovieDB

Alexander Stewart (1981, Mobile, Alabama) received his MFA from the School of the Art Institute of Chicago. His short films have screened internationally, including at the International Film Festival Rotterdam, the Ottawa International Animation Festival, the Ann Arbor Film Festival, and Image Forum in Japan. He co-curated the Flaherty NYC’s 2019 series “Puzzling”, and in 2010 co-founded the annual Eyeworks Festival of Experimental Animation. He lives in Los Angeles and teaches in the Experimental Animation program at CalArts.

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Additional information:

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Film Production

Animation:
2015  Here There

Director:
2005  Errata
2008  On the Logic of Dubious Historical Accounts. 1969-1972
2009  Iceland Spar
2009  Very Similar to
2010  100 Foot Pull
2010  100 Foot Ride
2010  The Battle of the Stand-Stills
2011  4000 Frame Throw (Pitchin' Machine)
2011  Crusts
2013  Crux Film
2013  What I Want
2014  Fort Morgan
2014  Peacock
2015  Here There
2018  Void Vision

Producer:
2005  Errata
2008  On the Logic of Dubious Historical Accounts. 1969-1972
2009  Iceland Spar
2009  Very Similar to
2010  100 Foot Pull
2010  100 Foot Ride
2010  The Battle of the Stand-Stills
2011  4000 Frame Throw (Pitchin' Machine)
2011  Crusts
2013  Crux Film
2013  What I Want
2014  Fort Morgan
2014  Peacock
2015  Here There
2018  Void Vision
2020  Cameras Pointed Straight into the Sun
2020  My Head Aches When I Look Too Long

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.