A work in constant progress (and occasional regress).
Birthplace:
Philadelphia, Pennsylvania, U.S.
Born:
March 2, 1905
Died:
January 22, 1964
Marcus Samuel Blitzstein (March 2, 1905 – January 22, 1964), was an American composer, lyricist, and librettist. He won national attention in 1937 when his pro-union musical The Cradle Will Rock, directed by Orson Welles, was shut down by the Works Progress Administration. He is known for The Cradle Will Rock and for his off-Broadway translation/adaptation of The Threepenny Opera by Bertolt Brecht and Kurt Weill. His works also include the opera Regina, an adaptation of Lillian Hellman's play The Little Foxes; the Broadway musical Juno, based on Seán O'Casey's play Juno and the Paycock; and No for an Answer. He completed translation/adaptations of Brecht's and Weill's musical play Rise and Fall of the City of Mahagonny and of Brecht's play Mother Courage and Her Children with music by Paul Dessau. Blitzstein also composed music for films, such as Surf and Seaweed (1931) and The Spanish Earth (1937), and he contributed two songs to the original 1960 production of Hellman's play Toys in the Attic.
Music:
1927 Hands: The Life and Loves of the Gentler Sex
Music Arranger:
1927 Hands: The Life and Loves of the Gentler Sex
1937 The Spanish Earth
Original Music Composer:
1927 Hands: The Life and Loves of the Gentler Sex
1937 The Spanish Earth
1940 Valley Town: A Study of Machines and Men
Songs:
1927 Hands: The Life and Loves of the Gentler Sex
1937 The Spanish Earth
1940 Valley Town: A Study of Machines and Men
1999 Cradle Will Rock
Writer:
1927 Hands: The Life and Loves of the Gentler Sex
1937 The Spanish Earth
1940 Valley Town: A Study of Machines and Men
1985 The Cradle Will Rock
1999 Cradle Will Rock
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.