A work in constant progress (and occasional regress).
Alias:
Alan S. Berliner
Alan Jay Berliner
Birthplace:
Brooklyn, New York, USA
Born:
October 11, 1956
Alan Berliner is an American filmmaker. Many of his films have been aired on PBS Public Broadcasting Service program P.O.V.. Most of his films are generally classified as documentaries. Berliner is a graduate of Binghamton University. The New York Times has described Berliner's work as "powerful, compelling and bittersweet... full of juicy conflict and contradiction, innovative in their cinematic technique, unpredictable in their structures... Alan Berliner illustrates the power of fine art to transform life.
Camera Operator:
2012 First Cousin Once Removed
Cinematography:
1991 Intimate Stranger
2012 First Cousin Once Removed
Director:
1975 Patent Pending
1976 Line
1976 Perimeter
1980 City Edition
1981 Myth in the Electric Age
1983 Natural History
1985 Everywhere at Once
1988 The Family Album
1991 Intimate Stranger
1996 Nobody's Business
2001 The Sweetest Sound
2006 Wide Awake
2010 Translating Edwin Honig: A Poet's Alzheimer
2012 First Cousin Once Removed
2017 Filmmakers Unite (FU)
2019 Letter to the Editor
Director of Photography:
1975 Patent Pending
1976 Line
1976 Perimeter
1980 City Edition
1981 Myth in the Electric Age
1983 Natural History
1985 Everywhere at Once
1988 The Family Album
1991 Intimate Stranger
1996 Nobody's Business
2001 The Sweetest Sound
2006 Wide Awake
2010 Translating Edwin Honig: A Poet's Alzheimer
2012 First Cousin Once Removed
2017 Filmmakers Unite (FU)
2019 Letter to the Editor
Editor:
1975 Patent Pending
1976 Line
1976 Perimeter
1980 City Edition
1981 Myth in the Electric Age
1983 Natural History
1985 Everywhere at Once
1988 The Family Album
1989 Broadway's Dreamers: The Legacy of the Group Theatre
1991 Intimate Stranger
1996 Nobody's Business
2001 The Sweetest Sound
2006 Wide Awake
2010 Translating Edwin Honig: A Poet's Alzheimer
2012 First Cousin Once Removed
2017 Filmmakers Unite (FU)
2019 Letter to the Editor
Producer:
1975 Patent Pending
1976 Line
1976 Perimeter
1980 City Edition
1981 Myth in the Electric Age
1983 Natural History
1985 Everywhere at Once
1988 The Family Album
1989 Broadway's Dreamers: The Legacy of the Group Theatre
1991 Intimate Stranger
1996 Nobody's Business
2001 The Sweetest Sound
2006 Wide Awake
2010 Translating Edwin Honig: A Poet's Alzheimer
2012 First Cousin Once Removed
2017 Filmmakers Unite (FU)
2019 Letter to the Editor
Sound:
1975 Patent Pending
1976 Line
1976 Perimeter
1980 City Edition
1981 Myth in the Electric Age
1983 Natural History
1985 Everywhere at Once
1988 The Family Album
1989 Broadway's Dreamers: The Legacy of the Group Theatre
1991 Intimate Stranger
1996 Nobody's Business
2001 The Sweetest Sound
2006 Wide Awake
2010 Translating Edwin Honig: A Poet's Alzheimer
2012 First Cousin Once Removed
2017 Filmmakers Unite (FU)
2019 Letter to the Editor
Story Consultant:
1975 Patent Pending
1976 Line
1976 Perimeter
1980 City Edition
1981 Myth in the Electric Age
1983 Natural History
1985 Everywhere at Once
1988 The Family Album
1989 Broadway's Dreamers: The Legacy of the Group Theatre
1991 Intimate Stranger
1996 Nobody's Business
2001 The Sweetest Sound
2006 Wide Awake
2010 Translating Edwin Honig: A Poet's Alzheimer
2012 First Cousin Once Removed
2017 Filmmakers Unite (FU)
2019 Letter to the Editor
2024 Silent Men
Writer:
1975 Patent Pending
1976 Line
1976 Perimeter
1980 City Edition
1981 Myth in the Electric Age
1983 Natural History
1985 Everywhere at Once
1988 The Family Album
1989 Broadway's Dreamers: The Legacy of the Group Theatre
1991 Intimate Stranger
1996 Nobody's Business
2001 The Sweetest Sound
2006 Wide Awake
2010 Translating Edwin Honig: A Poet's Alzheimer
2012 First Cousin Once Removed
2017 Filmmakers Unite (FU)
2019 Letter to the Editor
2024 Silent Men
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.